This image is part of a series of anagogic photographs whose negatives are then scanned and the resulting file pigment ink-jet printed on cotton paper Fine Art. The peculiarity of this series ("Contamination"), compared to the rest of my negative production, investigate the problem of the identity of the instrument, poised between the film and the digital file, between the chemical development and the ink-jet printing, including the paper that wraps the film (here seen in its "contamination" of the film ) and the media, which can accommodate the final image (not just fine art paper, but rather a screen, or any body surface area).