"Dialogues Pompeians, art, time and works" is a location for exhibitions and cultural events, by Franco Cipriano, inaugurating "SENSES, creative languages", a new promotional space for contemporary art in Pompeii , directed by Giuseppe Scagliarini. To the statement of exhibitions collaborates Raffaella Barbato.
The SENSES initiatives promote a reflection on the aesthetic crossroads, historian and critic of the relationship between forms of the classic memory and contemporary languages. Questioning the possibility of the 'signs of the ancient dialogue' with plural expressions of contemporary art and culture, it operates in the interaction between memory and the present, 'exposing' the expressive languages in their multiple projections of meaning, between imagination and de-construction, citation and reworking of the forms.
APPEARANCES is the inaugural exhibition of the project, with works by two young artists from Campania and a French photographer: John Alfano, Lucia Schettino, Martial Verdier.
Cipriano Franco writes in the text that presents the exhibition "On the trail of a labyrinthine crossing of the past such as vision, aberrations and spatial rarefactions Photo-memory of Martial Verdier transformed the urbs in 'dream' scene of the time. Photography is not action representation. PERFORM store is real. "[...] If the appearance of the image becomes the interrogation of this sphere in the" concord-discord "between the image and the time, the instability of memory they question the visionary materials sign Lucia Schettino. If the scope of the act is the void, the provision of the ectoplasm of Schettino reveals itself to the womb of a fledgling event. [...] While Schettino generates the time of his painting in which it is reflected through the same gesture that manifests the presence of Giovanni Alfano drawings are suspended in the void of silence fontal, where nothing is their matrix - eternal matrix of each image? In the work graphica seems withdraw the act, the figures arise from the white abyss with a slow, cold surfacing. The sheet is theatrum the draw, in the time de-subjectived the design that 'digging' the light is the shadows of memory.
