The sign and the paradigm of Dasein: forming such a point of departure from the work as rich and complex as a web of Maximum Sieve is how to place the same reality in the heart of a track, a presence that in time, in history, is carried out as a project of uniqueness.
In the Beginning was the idea, of course, but in principle the sign came true. We are in an almost metaphysical prelude to the creative act which is always an experience of permanence.
Each design by Massimo Di-Crivello is precisely Sign esoteric, which is precisely the symbolic universe deeply felt by our talented artist. Succeed, as it usually does Crivello, to make plausible the complexity of the sign through the synthesis of art, is to make the "Tables speaking" (much more than a simple comic strip) a function of interiority, capable of arousing the beyond, the value, the definitive act without possibility of revision, of repentance, that between the texture of the culture of memory reflect immanence manifests and expresses itself, but always behind another.
The design and operation of pure thought and pure technique are what makes time with creativity and intelligence artist Massimo Crivello, who constantly gives - it's appropriate to say - horizons and dreamlike visions and historical at the same time, not to mention the harmony of depth in a land like our well-known and investigated and - Tolstoy would say - a small nation metaphor of the world, cosmic universality that belongs to us as humus and Crivello fully delivered to the sensitivity at the sight of each singularity, and then, in the world.
Another central aspect of the work of Massimo Crivello is the way he proposes as an act of simplicity exhaustive. I think - for the branches - the exemplarity of a Lucio Fontana, who knew (not without misunderstandings of traditionalist) the value of the sign disruptive impact, the transgression that opens the horizon, which crosses the narrow surface, which is able to perform a kind of initiatory rituals, beyond the threshold of the obvious and banal, and the usual caging of aesthetic categories outdated.
Well, Crivello just can connect with his writing of signs, and in the dimension of "creattività", to a voltage artistic-philosophical, that is a real spiritual verticalization.
Another reference seems to me, on reflection, the work of a Munari just for the poetic and mythological meanings of signs that the fragment, between clarity and invention, the great Teacher knew indicate how kaleidoscope, mask, culture of behavior and fate of a new pedagogical season of making and creating the invention and irony. E 'with this Weltashaung which measures the artistic autonomy, intellectual and cultural as well as the exemplary originality of the work of Max Crivello, whose real power is recognizable narrative, is in registration in the spirit of the time and over time, intimate need comparative , instance, and the search for truth, full aspiration to self-realization in the representation of human history even to the season full of light, always know that the symbols that evoke the work of Crivello and are delivered to that extent as an event of genius' Art and Beauty.
Tommaso Romano
