In "seductive" I emphasise woman in her essence, enclosing her in unusual perspectives which are accentuated by neutral shade effects. This choice is for me a way of contentrating attention on form, avoiding colour from serving as a means of escapism. In my research, the interior is an important factor to be expressed, and at times a hand, a particular detail of the body, becomes the fulcrum of the painting....in such a way the carnality of the nude can assume greater delicacy.