(in continuum of the text begun in work “#2…”) For these works, part of the on-going series, “Of Flesh”, the skin tones are more akin to dead swine flesh, as a slight commentary on the objectification of the subject; not of the subjects themselves, but by those “entertained” and those who oppose the concept entirely as grotesque, immoral. At the same time, this wrestles with the main notion of what these subjects communicate; they are willing candidates in the act of submission. This represents a certain argument, a duality of thoughts: as participants, they are not “victims” as it is typically dismissed - they are probably more alive than most, by choosing to explore their human desires.
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