CLARA
The images she records with it are “different” – this much is irrefutable. Whether they are proper and “correct” is unverifiable. They are the visible expression of a deep desire to respond to the extravagant world of the theatre with extravagant photographic images. Her production is doubled and even tripled.
The artist responds to the production on stage with the production of the camera, which follows the production of the image in stagelike boxes. A new system of images is created.
(Gottfried Jäger from the book: The Trilogy of time, or: I don’t mind waiting!)
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