waiting at the bottom of the stairs
But when these ordinary objects interact with their surroundings a new equivalence occurs raising the presence of these everyday things to the status of special. A modernity results which exists outside of time.
The whole does, in fact, become other than the sum of its parts. Producing a timeless combination of atemporal iconography.
With more thanks and apologies, this time to Norman Bryson and Kurt Koffka.
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