The project consists of reproducing the pulpit of the Church Santo Domingo de Guayaquil, in wood with a variant: show it suspended in the air, but in an inverted way. The profanatory use of the liturgical furniture tries to accentuate the aesthetic experience as a ceremonial event in Benjamin's words and an approach to narratives of progress and salvation that inscribe and capture us in the mechanisms of power, that is, how the epistemological heritage of religion can Be decisive in our conception of the modern subject.
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