My drawings work at a description of the people around me as seen through a curtain of surrealistic light. Often these figures are distracted and set against a quiet but visually treacherous space. The situation is generally unclear and seemingly harmless, but there is often some aspect of the work that explores what I believe it means to live in the South. Over time I have come to rely on this format as a means to question what I know. The distance between knowing and not knowing is what interests me.
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