The aestheticization of emptiness , through low fidelity treatment and textures, depict the hollowness of our technologically rendered self reflections. These are often reduced to derelict captures of a desperate vanity, experienced on a personal as well as global scale, upon which they inflict upon our society a form of tonic immobility. The stationary quality of the machine gaze, through the lens of a camera phone, captures the collective self reflection of our epoch, as we remain frozen in our selfie, unable to move forward.
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