Faces of the wind

Through large-scale projections of poems onto moving trains or from a moving automobile onto the environment (houses, trees, buildings, fences, etc.), I investigate how those environments affect the projected words, and how those words affect the environments. Capturing each projection on video and in photographs, the long exposure used results in transparency, multiplicity, and fragmentation of the words as they adopt the fast changing shapes of the projected surfaces. There is a dialogue between the viewer and the environment or the train. This dialogue is possible through the words. I am interested in how, through images, language and the meaning of words, we feel compelled to reflection, as the passing train and the "moving city" constitutes a metaphor of life, and the words a means for questioning ourselves and delivering different answers for each viewer.