The Quest for the Blue Flower II
which can be bound to the Romantic Era in terms of transcientness, and aesthetic symbolism, shows a strong subjective approach, in form of permeations and cross-fadings, equilibrating on the borders of civilisation and nature, kitch and trash, day and night, reality and utopia. The project is a postmodern artistic quest, on the outer borders of a city, where natural and urban structures struggle to gain the control over each other. The symbolic transparancy of the last walls of the city, let the nature inside, creating an eery feeling of apocalypse. The romantism of the photos at the first glance, is destroyed through urban rubbish, trashy wall structures, masts and antennas. The project asks the question from a hypermodern perspective: Will the Humanity gain perfection through conquerring the nature or through living in balance with it.
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