Every edit consists of a diptych or triptych of domestic interiors. At the end of each edit is a portrait, which references formal portraits found in the home. The aspects of the face are a default way to understand a person’s emotion. If they are concealed, then the viewer has to rely on other parts of the image, or series, to determine the emotional base of the portrait. The interior spaces serve as evidence to past events that are not recognized in displayed photographs throughout a home.
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