Nothing is real except the present
The xerox copies add an important symbolic layer to the project: on the one hand I want to celebrate the xerox machine as a vital invention which makes possible the dissemination of information and knowledge, and so allowed the preservation of our collective memory during the pre-digital era. However, on the other hand the aesthetic of the photocopy makes the images appear distant in time, erases almost any realistic details, and adds a harsh blurring effect that turns the photographs into cold, distorted reproductions of real moments.
The installation will be designed to make the viewers/participants interact with the images. In fact each snapshot embodies a moment which should evoke further memories in the viewer who will be invited to respond with their own personal memory in the space provided. Though the project will begin as a 2 dimensional installation, it will develop as a series of interactions and will finish with the creation of a mini-archive of the participants' happy memories .
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