Mostre, Regno Unito, London, 01 October 2012
Plot brings together the work of three Royal College of Art graduates; Dexter Dymoke, Rebecca Griffiths and Alex Strachan, whose work explores the intimate connections between space and sculpture.
‘p l o t’ can be defined as a trajectory, a location, or a designated space within and beyond the body where new processes seeing occur. Implicit in the term is a form of secrecy, a kind of devious artistic strategy that takes place in a neutral space, disconnected the ‘everyday’. Equally, this may refer to a site of devotion where senses are themselves opened and extended.
The exhibition is the result of an ongoing conversation around the way in which artists’ function in the context of a city, taking on the ambiguous role of both consumer and maker. This discussion focuses on the disassociation from the makeup of a familiar environment where the means of production are no longer understood. It reflects an uncomfortable relationship between the way we live and designed surfaces that structure our world.
The work in this exhibition takes the activity of making as paramount to the work itself: making becomes political and social, capable of creating new relationships, values, economies and tools.
Galleries Goldstein
London
Opening: 4th October, 6-9pm
www.galleriesgoldstein.com
‘p l o t’ can be defined as a trajectory, a location, or a designated space within and beyond the body where new processes seeing occur. Implicit in the term is a form of secrecy, a kind of devious artistic strategy that takes place in a neutral space, disconnected the ‘everyday’. Equally, this may refer to a site of devotion where senses are themselves opened and extended.
The exhibition is the result of an ongoing conversation around the way in which artists’ function in the context of a city, taking on the ambiguous role of both consumer and maker. This discussion focuses on the disassociation from the makeup of a familiar environment where the means of production are no longer understood. It reflects an uncomfortable relationship between the way we live and designed surfaces that structure our world.
The work in this exhibition takes the activity of making as paramount to the work itself: making becomes political and social, capable of creating new relationships, values, economies and tools.
Galleries Goldstein
London
Opening: 4th October, 6-9pm
www.galleriesgoldstein.com
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