Mostre, Regno Unito, City of Nottingham, Nottingham, 20 January 2009
Solo
2010 "Nazi UFO's @ TotalKunst", TotalKunst Gallery, Edinburgh Art Festival
2007 “Greetings from Silesia”, Bend In The River Gallery, Gainsborough
Group
2011 “Home Insecurities”, The Great Central, Leicester
"The Bookmark Project", Nottingham Contemporary
“Digital Canvas”, Autodesk Gallery, San Francisco
“Beyond the Horizon”, Embrace, Leicester
2010 London Art Fair 10, Bend In The River
Nottingham Open, Nottingham Castle Museum & Art Gallery
“Occidental Dimension”, University of Brighton Gallery
Cunningham-Godley-Hockney, Triton Gallery, Sledmere House, Yorkshire
2009 “Face to Face – Contemporary Portraiture”, Richard Attenborough Centre, Leicester
"London Art Fair" Bend In The River
2008 "Buy Art Fair" Bend In The River at Urbis, Manchester
"No Letters", Nettie Horn Gallery, Vyner Street, London, curated by Leigh Clarke, including Ian Breakwell, Leigh Clarke, Lucy Harrison, Dick Jewell, Conor Kelley, Bob & Roberta Smith, Peter Suchin with Vic Browne, Mik Godley (collaborating with Graham Lester George), Matt Hale, Lee Holden, Lizzie Hughes, Liane Lang, Stephen Lee, Pat Naldi, Sarah Sparkes, Jo Stockham
"Penned" Artscape/Pinkard Gallery, Maryland Institute College of Art, Baltimore, (touring to Ellipse Arts Center, Arlington, VA and Lump Gallery/Projects, Raleigh, NC and others tbc) USA
2007 “Planchette” The Residence Gallery, London, curated by Peter Suchin/Black Box
“in the echo of a shadow” Department of Design, University of Leeds, joint exhibition with Henry Tietzsch-Tyler, contributing to the conference “From Perpetrators to Victims? Constructions and Representations of ‘German Wartime Suffering’”
“Parade – Terra Incognita” Angel Row Gallery, Nottingham, curated by Indra Khanna (Autograph ABP, London) and “Parade” book launch, The Drawing Room, London
“Nottingham Open 2007” Angel Row Gallery, Nottingham, selected by Hew Locke and Deidre Figueiredo
“The Redemptive Beauty of Life After Death” Bonington Gallery, Nottingham Trent University, curated by Michael Forbes (The New Art Exchange, Nottingham)
2006 “When Men and Mountains Meet” Gallery 01, Museum of Contemporary Art Zagreb, Croatia, curated by Helen Jones, Angel Row Gallery, Nottingham
Publications
2009 STAPLE 71: The Art Issue, text & image project
Nottingham Visual Arts, interenet magazine, Nottingham (article)
2008 “/seconds magazine 9”, the online journal of contemporary art and its research, London
“Soul Food, and Music: Research and Innovation for Creative Business”, (interview) by Kim Errington, Neil Maycroft and Jim Shorthose, NCN Nottingham
2007 “The Redemptive Beauty of Life After Death” Bonington Gallery (catalogue)
“Parade” Angel Row Gallery (catalogue)
Awards
2008/09 Arts Council England, East Midlands, one year Research Bursary
2007 Future Factory Fellowship (School of Art & Design, Nottingham Trent University)
Selected Critical Reviews
Enigmatic landscapes charged with psychological resonance…. An impressive combination of methodical observation and technical draughtsmanship matched by a mature understanding of the medium and just the right amount of spontaneity and freedom give these studies a real sense of urgency, energy and vitality.
Matt Price, critic (Flash Art, Art Review), saatchi.gallery.co.uk
February 7, 2007
Review of “Parade: Terra Incognita”, Angel Row Gallery
The building up of the image through thousands of small squares and dashes of acrylic paint gives these works a vibrancy of surface that is both intriguing and unnerving. There is a ghostliness about these paintings that both attracts and yet is candidly uncanny, cold and crisp like a detail in a story by M R James, apparently trivial but in fact exactly to the point.
Peter Suchin, critic (Art Review, Frieze, Art Monthly)
Untitled, June 2007
Review of “Greetings from Silesia”, Bend in the River
Mik Godley suggest[s] that pixelation is the pointillism of the twenty-first century. … Today's most famous photographic pixelator, Thomas Ruff, similarly attempts to touch the mysterious in his porn photos (though with more cynical subject matter), but to really make the leap into the uncanny you have to change medium as well. Godley's seductive and slightly sickly painting Ana takes us into this uncomfortable realm.
James Westcott, artreview.com, February 2008
Artist Websites
www.axisweb.org/artist/mikgodley
http://www.artreview.com/profile/MikGodley
http://www.youtube.com/user/ConsideringSilesia
2010 "Nazi UFO's @ TotalKunst", TotalKunst Gallery, Edinburgh Art Festival
2007 “Greetings from Silesia”, Bend In The River Gallery, Gainsborough
Group
2011 “Home Insecurities”, The Great Central, Leicester
"The Bookmark Project", Nottingham Contemporary
“Digital Canvas”, Autodesk Gallery, San Francisco
“Beyond the Horizon”, Embrace, Leicester
2010 London Art Fair 10, Bend In The River
Nottingham Open, Nottingham Castle Museum & Art Gallery
“Occidental Dimension”, University of Brighton Gallery
Cunningham-Godley-Hockney, Triton Gallery, Sledmere House, Yorkshire
2009 “Face to Face – Contemporary Portraiture”, Richard Attenborough Centre, Leicester
"London Art Fair" Bend In The River
2008 "Buy Art Fair" Bend In The River at Urbis, Manchester
"No Letters", Nettie Horn Gallery, Vyner Street, London, curated by Leigh Clarke, including Ian Breakwell, Leigh Clarke, Lucy Harrison, Dick Jewell, Conor Kelley, Bob & Roberta Smith, Peter Suchin with Vic Browne, Mik Godley (collaborating with Graham Lester George), Matt Hale, Lee Holden, Lizzie Hughes, Liane Lang, Stephen Lee, Pat Naldi, Sarah Sparkes, Jo Stockham
"Penned" Artscape/Pinkard Gallery, Maryland Institute College of Art, Baltimore, (touring to Ellipse Arts Center, Arlington, VA and Lump Gallery/Projects, Raleigh, NC and others tbc) USA
2007 “Planchette” The Residence Gallery, London, curated by Peter Suchin/Black Box
“in the echo of a shadow” Department of Design, University of Leeds, joint exhibition with Henry Tietzsch-Tyler, contributing to the conference “From Perpetrators to Victims? Constructions and Representations of ‘German Wartime Suffering’”
“Parade – Terra Incognita” Angel Row Gallery, Nottingham, curated by Indra Khanna (Autograph ABP, London) and “Parade” book launch, The Drawing Room, London
“Nottingham Open 2007” Angel Row Gallery, Nottingham, selected by Hew Locke and Deidre Figueiredo
“The Redemptive Beauty of Life After Death” Bonington Gallery, Nottingham Trent University, curated by Michael Forbes (The New Art Exchange, Nottingham)
2006 “When Men and Mountains Meet” Gallery 01, Museum of Contemporary Art Zagreb, Croatia, curated by Helen Jones, Angel Row Gallery, Nottingham
Publications
2009 STAPLE 71: The Art Issue, text & image project
Nottingham Visual Arts, interenet magazine, Nottingham (article)
2008 “/seconds magazine 9”, the online journal of contemporary art and its research, London
“Soul Food, and Music: Research and Innovation for Creative Business”, (interview) by Kim Errington, Neil Maycroft and Jim Shorthose, NCN Nottingham
2007 “The Redemptive Beauty of Life After Death” Bonington Gallery (catalogue)
“Parade” Angel Row Gallery (catalogue)
Awards
2008/09 Arts Council England, East Midlands, one year Research Bursary
2007 Future Factory Fellowship (School of Art & Design, Nottingham Trent University)
Selected Critical Reviews
Enigmatic landscapes charged with psychological resonance…. An impressive combination of methodical observation and technical draughtsmanship matched by a mature understanding of the medium and just the right amount of spontaneity and freedom give these studies a real sense of urgency, energy and vitality.
Matt Price, critic (Flash Art, Art Review), saatchi.gallery.co.uk
February 7, 2007
Review of “Parade: Terra Incognita”, Angel Row Gallery
The building up of the image through thousands of small squares and dashes of acrylic paint gives these works a vibrancy of surface that is both intriguing and unnerving. There is a ghostliness about these paintings that both attracts and yet is candidly uncanny, cold and crisp like a detail in a story by M R James, apparently trivial but in fact exactly to the point.
Peter Suchin, critic (Art Review, Frieze, Art Monthly)
Untitled, June 2007
Review of “Greetings from Silesia”, Bend in the River
Mik Godley suggest[s] that pixelation is the pointillism of the twenty-first century. … Today's most famous photographic pixelator, Thomas Ruff, similarly attempts to touch the mysterious in his porn photos (though with more cynical subject matter), but to really make the leap into the uncanny you have to change medium as well. Godley's seductive and slightly sickly painting Ana takes us into this uncomfortable realm.
James Westcott, artreview.com, February 2008
Artist Websites
www.axisweb.org/artist/mikgodley
http://www.artreview.com/profile/MikGodley
http://www.youtube.com/user/ConsideringSilesia
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