Mostre, Regno Unito, London, 27 January 2017
London Gallery West is proud to be the first London venue to present six films by Lav Diaz, one of the greatest radical artists of contemporary cinema. For this exhibition the gallery space will be transformed into an inviting cinema environment to screen a rotating programme of Diaz’s extraordinary epics.
Independent Filipino filmmaker Diaz describes himself as a storyteller who makes films about the struggles of his people. His films tell quiet tales of everyday sorrow and resilience, and of the existential quest of a people betrayed by the postcolonial nation state. His films demonstrate a radical reworking of melodrama that extends the possibilities of cinema by combining physical cinematic realism with poetry, modernist literature, painterly landscape, musical improvisation, theatrical performance, ritual intensity and duration.
Shot mostly in black and white, Diaz makes notoriously long films with the economy of means afforded by digital. Diaz’s method of filmmaking exemplifies an organic process that merges fictional storytelling with the material density and tempo of the locality of shooting. Astonishing rhythmic pacing creates a powerful dialectic between the microscopic gestures and steadfast movements of powerless bodies, the immensity of natural and historical forces, and spectral presence.
Diaz was winner of the Golden Lion at the 2016 Venice Film Festival, the Silver Bear Alfred Bauer award at the 2016 Berlin Film Festival, among other prestigious prizes. He is a Radcliffe–Harvard Film Study Center Fellow. Retrospectives of his work have recently been held at the Jeu de Paume museum, Courtisane Festival, and the Film Society of Lincoln Center.
The exhibition will run from 27 January–12 March 2017 with daily opening times from 9am–9pm. The private view takes place on 26 January 2017, 5–8pm.
Diaz will be in attendance for an international symposium (3-5 March) on his films and artistic practice and the broader issues they raise. As part of the symposium there will be a special screening of Batang West Side and conversation on Sunday 5 March in collaboration with MUBI.
Exhibition and events co-curated by May Adadol Ingawanij, Michael Mazière, George Clark and Julian Ross.
Independent Filipino filmmaker Diaz describes himself as a storyteller who makes films about the struggles of his people. His films tell quiet tales of everyday sorrow and resilience, and of the existential quest of a people betrayed by the postcolonial nation state. His films demonstrate a radical reworking of melodrama that extends the possibilities of cinema by combining physical cinematic realism with poetry, modernist literature, painterly landscape, musical improvisation, theatrical performance, ritual intensity and duration.
Shot mostly in black and white, Diaz makes notoriously long films with the economy of means afforded by digital. Diaz’s method of filmmaking exemplifies an organic process that merges fictional storytelling with the material density and tempo of the locality of shooting. Astonishing rhythmic pacing creates a powerful dialectic between the microscopic gestures and steadfast movements of powerless bodies, the immensity of natural and historical forces, and spectral presence.
Diaz was winner of the Golden Lion at the 2016 Venice Film Festival, the Silver Bear Alfred Bauer award at the 2016 Berlin Film Festival, among other prestigious prizes. He is a Radcliffe–Harvard Film Study Center Fellow. Retrospectives of his work have recently been held at the Jeu de Paume museum, Courtisane Festival, and the Film Society of Lincoln Center.
The exhibition will run from 27 January–12 March 2017 with daily opening times from 9am–9pm. The private view takes place on 26 January 2017, 5–8pm.
Diaz will be in attendance for an international symposium (3-5 March) on his films and artistic practice and the broader issues they raise. As part of the symposium there will be a special screening of Batang West Side and conversation on Sunday 5 March in collaboration with MUBI.
Exhibition and events co-curated by May Adadol Ingawanij, Michael Mazière, George Clark and Julian Ross.
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