Biography
Marco Pagliero was born in 1980 in Saluzzo (CN) where he still resides. Currently he works in Cuneo.
In 1998 he graduated from the Art School Ego Bianchi of Cuneo. In which, among others, they have taught artists such as Claudio Berlia, Guolo Daniele and Mario Mondino. Later he attended the painting and set design courses at the Accademia di Belle Arti in Florence. At the same time he attended the experimental center of cinema "Imagine" directed by Giuseppe Ferlito. Meanwhile between 1998 and 2000 he participated in numerous group exhibitions in Nice, Florence, Turin and makes using pseudonyms to afford to experiment with various techniques without ever having to submit personally. In 2001 he made the first solo exhibition entitled "mentally stable" all'Achille Café in Turin with your name and proving a great success with audiences and critics. In 2001 he made the first short film titled "Front Line" presented at the Turin Film Festival as the work of young people and in numerous film festivals, reaching in 2003 the nomination at the Golden Italy for Best First Feature. He works then as assistant cameraman on the film by Luca Barbareschi "The quick change" and then to bed in "to read the film." As a still photographer worked for the American film "The Etruscan Mask". and work continues on the directing and screenwriting experience with various experimental works including "Nosce te ipsvm" and "The Sienese land." From 2003 to 2007 he collaborated with the artist Daniele Fissore as an assistant in the studio. He worked on the series "reflections on the tv off" by the same painter. He continued the collective experiences of painting to Valsusart in 2005 art expo of Saluzzo and the competition Hannibal Galateri di Genola, where he won the first prize of Figurative Art.
Eclectic and ongoing investigator of techniques and new subjects, versatile in all arts from film to script, from painting to poetry. Any form of expression is for him a source of inspiration and fun for new emotions. The foundations of his artistic research reside in analyzing social and urban environment of course, in attention to the aesthetic aspects of conceptual painting technique and the intimate and personal aesthetic and poetic taste. The first forms of expression tested focused on the study of art history and the new interpretation of the classic art of Caravaggio and Botticelli, Picasso, Munch until you get to the most recent De Chirico and Duchamp. Experimentation is then reached through the stripping of the concept of the work leaving only more space to pure formal aesthetic, with poetic suggestion end instantly focused image. The heavens are above the sight of each pass, the sky is decorated with clouds in order to weaken the sense of powerlessness that man has faced, the bucolic way of life. Clouds are the border of heaven for those watching from below, have a soft intangible wall towards the infinite that no one owns and everyone admires ... God or whoever he has pondered the line of thought as a soft light that hovers over us .... No matter what happens in and who is to decide ... above all and all the clouds write poetry at all times.
