Biography
was born in Milan in 1979. He spent his early childhood in the shadow of the bell tower of Trezzo, he draws on everything that comes within range. Including axes of the bed. Adopted from Bergamo, where he received his artistic maturity, finally he found the capital for studies in painting at the NABA, a pupil of Claudio Olivieri. Challenge from a young language incisorio, through the teachings of the Master Sandro Martini, where he began to fuse painting and engraving carrying one o'clock in the heart of the other without a visible border. With qualification in engraving and printing achieved in Florence at the Foundation for the Study of graphic art "THE BISON", thanks to the masters Manuel Ortega and Vincenzo Burlizzi, it burrows into the black and white techniques, specializing in the following year, in color printing. Over the years more mature skills by attending courses in Jewellery Design at the IED in Milan and at the center TAM for artistic treatment of metals. At A + A Gallery in Venice follows the course for curator. Since 2001 holds artistic outpost at the family home of Trezzo: a place whose walls are inlaid with light and time. WORKS The works are characterized by an intimate vision, bordering the dream; a world populated by restless animal, instinctual, by their very nature changeable and mutable living immersed in a world that forces them always to a precarious balance. mythological creatures, grotesque in their ostentatious monstrosity, become a symbol of the poetic of the marvelous which characterizes all the work. The obsessed with finding a balance, a right fit between rationality and instinct, developed over the years a layered symbolism and figurative synthesis that leads to the figure of the horse and rider. The first symbol of instinct, is blind to light and guide the knight in the dark; the second is that rationality is totally blind in the dark but instead sees the day. The eyes of a make up for the blindness of the other and vice versa. Since their merger creates balance. MATERIALS always painting and engraving coexist in a perpetual contamination, in a dialogue that is not never stopped from strength to strength over the years. Typical materials of engraving, such as acid-resistant paint, all 'alcohol or lithographic pencil (these are just a few examples) are borrowed from this painting to make meaningful encouragement; while the themes, subjects, become incision through techniques that reproduce the stretch
