Biography
Carla Mura after a long period of painting one begins to realize his works using a new material from her much loved thread .
All of this wonderful world of the wire is joined in the spontaneous technique that Carla Mura has to realize his works differentiating media ranging from wood to marble and travertine stone , Plexiglas , to the canvas.
Use your wire paths slow and measured , tie them , cross them in continual references to the first then organizes them into rhythmic sequences or free combinations , configurations Cartesian or intricate patterns , sinks under them inextricable tangle of other wires, almost want counter the inevitability of the act of extreme Atropos and thus the end of life. In its segments and in color pattern there are visions of landscapes, openings on city streets and windows of a house underground , opaque glass of a car of a train, a bus , perhaps , marked by rain or dust layered .
There is no representation but we think we see them. The need for reality must attribute names abstraction. In some cases, aid in the title : " Dragonfly ", " Bus ", " Metropolis " , " portrait" . There are details and enlargements that are part of an actual set rebuilt only perceptually .
Similarly, the habit of vision gives rise to the question whether it's painting, drawing up of a matrix of expressionist oil scratched . Inattentive and unfocused gaze suggests a brush of color often dragged on the canvas , like those of English Jason Martin and , before that, the great French artist Pierre Soulages . All of this wonderful world of the wire is joined in the spontaneous technique that Carla Mura has to realize his works .
He lives and works in Veneto - Italy
