Biography

Alessandro Vianello was born in Venice, Italy in 1969.
Digital painter, he began his career in Italy in 2011: also inspired by the realist and hyper realist art of American painters, Europeans and the first half of the 900 contemporary painting technique, but influenced by modern and contemporary painting styles.
He invented a neo- futurist expressive language: an innovative mixed techniqe using the most advanced modern technologies.
He creates digital painting, using digital brushes of a few millimeters with that kind of painting, especially real scratchy and painstakingly accurate in every detail, that reflects those of brushstrokes typical of European Realism , mixed with those of Hyperrealism, Expressionism , Abstract and Pop Art.
All multi panel digital artworks are designed in limited edition and printed in his Atelier in Venice, Italy.
Using his professional 12 colors ink-jet Fine-Art Giclée printer, he creates unique pieces of Contemporary Art on Museum-quality cotton canvas.
He represents the vision of modern life through cultural heritage, luxury and excellence.
The prevalence of the subjectivity of the artist is realistic, but manages to transform his emotions, which should not be hidden and disguised, in rapid brush strokes that create an alternation of smooth and irregular surfaces , typical of impressionist painting: he reproduces the feelings on the canvas and visual perceptions that the landscape communicates to him at various times of day and under certain lighting conditions.
The background, the landscape, are not something added, but wrap the figures that take unusual forms: they seem suspended off the ground and move wrapped in strands of coloured glass.
Objects and people are not treated with the same stroke and decisive broad brush stroke: characteristic of the works of Alessandro Vianello are the contrasts of light and shadow, strong and vivid colours typical of Pop Art, which laid on the canvas contrast with the complementary shadows, taking unusual shapes and colours, where even the black and white are marked with a few nuances.
In addition, with a few brushstrokes typical of the hyper-realistic painting, he outlines just some non-distracting shapes in the careful search of the particular.
A modern way of digital painting, unique in its kind, that the Venetian artist uses to evoke the beauty and an urban vision as if it were a building incisive description made by the city's inhabitants engaged in daily activities: the result is expressed in atmospheres involving at first glance, that narrate the first attempt of interpretation.
It is therefore a vision that goes beyond the reality itself, completely changing it and making it almost "three-dimensionally alive" and sometimes reaching a virtuosity exasperation due to the extreme exploitation of its subjects and their profound expressiveness sought promptly in all his works: the artist is able to "catapult" the observer of his work within it, leaving room for an unbelievable and wonderful escape beyond reality.