Biography
I conceive painting as a craft.
I buy plywood boards the size that corresponds to the project I have in mind, I take large sheets of Fabriano paper from 450 grams and glue them to him above.
I work on edges and polish them until everything is smooth.
Finally I make preparation for the acrylic paint.
Then paint, reporting from sketches drawn on sheets of any kind, including books, calendars, lists of spending.
From now on I try to balance the pleasure of form and color, I can use in all its forms, even in the iridescence, or I can force me combined with the elegance of a few colors. Use the primary color, pure color and combined, creating evolutions or geometry that will stand out against backgrounds of textures as well as informal uniform on sets of tonal vibration.
Crafts, therefore, mediated by quotations and thoughtful in an attempt to ennoble it.
The work ends when building the frame, even support.
Because the framework, strictly two-dimensional, without the possibility of intellectual and physical shadows, acquires a depth that suspends it for a little more than frame it, and the "can".
Only then the act is accomplished artisan.
