Biography
(Primordial State Egotism)
Looking at the paintings and drawings, each of us embarks on a journey between consciousness and self-consciousness, reaching his most intimate sphere and full knowledge of ourselves.
The artist’s production nowadays boasts a hundred works on a wide variety of media (supports?), tele, drywall, cardboard and using multiple techniques, oil, charcoal, charcoal: this aims to emphasize the importance of the concept and the shape or not of matter.
The female body loved and emphasized, body he paints as emotion and appearance, becomes the key to access to an underground and hidden world. Some clues and symbols contained in painting and in the title of the work, can, with a game of analogies, reveal looking for a lost dignity of an elevation or a state of intimate tension.
The condition of the human soul focuses as well on a body or a face that seems to radiate harrowing or soft glows in unison with magmatic and magnetic waves of colours of nature, expressed with consistency and simplicity.
(Concept that takes us back to the primordial)
The translation into a pictorial idea, carried on with a single instinctive act, if the time is the right time, is the painting itself. And the painting itself takes shape. It has a life of its own and you just let it come out, the imperfection is inherent in human being form time immemorial.
His art is an art and tha’s all. It disturbs or seduce, expressive, thinking, distressing and bursting out in its certainties. In his paintings, nothing is ever left to chance, and even the mistake is never deleted.
Looking at his paintings is not enough, we must observe them, despoil them of what is visible and of what is immediate, analysing them in their entirety and in detail, giving vibrations, like musical instruments that have the ability to animate as soon as they are touched.
