Biography
Her work is completely commended to passionate formulation without formal“oppressions”, to a “written text” of signs and colours more
instinctive rather than guided by the mind, similar to when dreams create alternatives in forms and situations.Lara Usic paints pictures making use of sign rhythms taken from everyday life, from contemporary language, with white in the forefront to humiliate colour, and thus
making it a slave of its own omnipotence.
In this way, the artist is speaking to us of forms emerging from ancient layers in which
light and colour arrive fatigued from unknown places, peripheral to the maelstroms of time. She speaks also so that we can discover an unencumbered force between fantasy and paradigm, characterised by an enchanted affection for every outline, every emergence that uncovers, eliminates, includes and deletes. The outline, the sign, the writ-summons-judgement has for her the value of an existential emblem from which nothing can be subtracted, seeking to bring to the fore the precarious nature of time. That which originates and finishes. That which transforms and declares void. That which imposes and wreaks havoc. That which deprives man of any
freedom.
