Biography
The doing is part of my human and artistic education, and the preservation as well.My works are the fruits of all this, and of course, of the every day randomness, which is part of life. I like to think that surface is a skin including a lot of signs you can decode. My works are not aloof. They are full of all the time I spent to carry them out, and maybe that's the reason why they appear so dramatic or sad. I don't think it depends on biographic peculiarities. It depends on perception of phisicalness, of flesh and blood that women have. I create just as someone else prays or tills. Creating not always makes me happy but I live my restlessness and my uncertainty as stimulating travelling companions.
