Biography
Usually my families are farmer. From my early life I’ve been seeing continuously to my local people and also my parents are using old, worn-out, cracked sacks in the quality of boiled paddy rice drying sheets, rice storing places, warm coats of domestic animals, curtains of cow house, canopies with stitching, attaching, patching. Here I have found their tough realities, poverties and straggles of life. Those are my main source of inspirations. That I’ve encountered.
Rough texture, smoothness and support of sacks are flooded me tremendously. Therefore I’ve used this sacks to meaning of my life struggles, journey of my life, realities and I’ve tried to explanation of self-inner expressions, emotions etc. with many kind of deferent weak and faint spaces on it, like burned, attached, stretched, patched.
My works are a combination of the various physical realities along with the emotional attachment that I encounter.
At times contradiction of these encounters propel me to subjugate my fillings upon the canvas or picture surface. These is intendent with the meditative approach that I pursue. These contradiction are built upon the different materials and surface textures which I select and render for my works. It gives me the scope to situationally my association through a creative process. Hence the materials and the technical incarnations that I try to make. It gives me a certain kind of legibility to pursue my passions.
Continuously I’m researching and experimenting to my emotions and expressions with many kind of forms, shapes, colors etc. To me, basic human emotions and expressions that gives me an intense of satisfaction to my mind and a personality in which high spiritual qualities are manifest.
So if I get some advice or suggestions from any well-known senior artist, art critic, curator or my contemporary artist, it may be fruit-full effect to progressing my art carrier.
Thank you
