Trilogy
Prize, Italy, Benevento, 27 May 2005
Skills: Exhibition space, Gallery owner, Video cam
Overcoming the imposing square "Suprematist" of Malevick, shapes and colors absolute is accomplished through words and dialogue between the various agents.

The photographic rectangle conveys a worldview open to dialogue and becomes an instrument of reflection and definition of reality is not simulated but most probably already present in the viewer.

Trace a performance that already lived in the wake of expressionism French and then American restores a sense of the artistic experience.



©Tiziano Vele



N.B. filed by Section OLAF (SIAE)

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