Exhibitions, Italy, Vicenza, 18 November 2011
... Vitality of colors in movement and light ...
The work of art that creates, whose chief merit must be the original, is always defined as Zola: a place of creation seen through a temperament. The statement goes well the works of Brown Lanza, inspired artist with a strong lyrical intonation and gesture with a charge that establishes the authenticity fits current production in a particular way, a culmination of a long period of intense work happy and . A period of time with exhibition performances and art shows which of the other to the House of Culture Cybernetics Montecchio, the Eve of Vicenza, the Museo della Permanente in Milan, the Museum of Arts and Science Foundation of Ars, to Bassano del Grappa Palace Guadagnini-Fietta Notary's office, at Stra at the National Museum of Villa Pisani with the Veneto Region and the Ministry of Culture, and touring the U.S. in 2008-9. A circuit latter who, starting in Miami and ended in New York at the Micro Museum, Bassano saw the artist in the group of artists chosen by EUART, promoter of the event inaugurated by the Consul General of Italy Liborio Stellino which presented new talent and established names very .
Since then the local artists on board the "ship of his genius", has introduced the distillate of its catchment from its stays and trips to other beaches, picking from different ethnicities and landscapes metropolitan or rural or mountainous or marine sites and nectar food anthropologists whose creations with renewed vigor and sensitivity caused, and hand.
We then explain the energy emanating from his paintings especially imbued with the most recent flare sometimes sudden and posters, this one with colors filtered through veils and transparencies that compete with the charms of a varied nature in shades of metallic colors or ignition of urban centers where the man has crept with respect. Among other peculiar qualities excels spatiality made of vibrant colors with alternating solids and voids (which are never the absence of life and therefore color) with pauses and rhythms that translate into symphonies of movement and light. Leaving these works of abstract beauty, and without iconic references, but is representative of a vital force that excludes any stretch, mirror of a never-ending love for art and culture, to confirm what they say the great sages of the twenty-first century: "And 'Beauty will save the world." / Marica Rossi
The work of art that creates, whose chief merit must be the original, is always defined as Zola: a place of creation seen through a temperament. The statement goes well the works of Brown Lanza, inspired artist with a strong lyrical intonation and gesture with a charge that establishes the authenticity fits current production in a particular way, a culmination of a long period of intense work happy and . A period of time with exhibition performances and art shows which of the other to the House of Culture Cybernetics Montecchio, the Eve of Vicenza, the Museo della Permanente in Milan, the Museum of Arts and Science Foundation of Ars, to Bassano del Grappa Palace Guadagnini-Fietta Notary's office, at Stra at the National Museum of Villa Pisani with the Veneto Region and the Ministry of Culture, and touring the U.S. in 2008-9. A circuit latter who, starting in Miami and ended in New York at the Micro Museum, Bassano saw the artist in the group of artists chosen by EUART, promoter of the event inaugurated by the Consul General of Italy Liborio Stellino which presented new talent and established names very .
Since then the local artists on board the "ship of his genius", has introduced the distillate of its catchment from its stays and trips to other beaches, picking from different ethnicities and landscapes metropolitan or rural or mountainous or marine sites and nectar food anthropologists whose creations with renewed vigor and sensitivity caused, and hand.
We then explain the energy emanating from his paintings especially imbued with the most recent flare sometimes sudden and posters, this one with colors filtered through veils and transparencies that compete with the charms of a varied nature in shades of metallic colors or ignition of urban centers where the man has crept with respect. Among other peculiar qualities excels spatiality made of vibrant colors with alternating solids and voids (which are never the absence of life and therefore color) with pauses and rhythms that translate into symphonies of movement and light. Leaving these works of abstract beauty, and without iconic references, but is representative of a vital force that excludes any stretch, mirror of a never-ending love for art and culture, to confirm what they say the great sages of the twenty-first century: "And 'Beauty will save the world." / Marica Rossi
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