Ezio Zingarelli and the real need

(...) Ezio Zingarelli proceeds in an individual path of great interest, which is in mixed media his style and mode of expression while taking as basic painting, in dense compositions of creative force in research on the subject found turned into opera art. Not only paintings, then, but other media and materials such as fabrics, posters, newspapers, jute, combining and sweep into independent mixtures. In this sense it is clear its cultural intent, as well as artistic, and the reasons for it are obvious in order to project conditions that go beyond visual perspectives but in dress color collage seek elusive contrasts between surfaces. Initially close to the Abstract Expressionists-American matrix, active manipulation of the perceived sense of utopia in the extension of social realist nouveaux, which exceeds the same in becoming the work of art and in the distinction between artist and interpretative cut-up, in a stylistic literary variety when fragments and reassembles the papers mixed them in a logical way for his representation. It continues the search away from the fun experiences of some contemporary art, if only for the dell'iniziarsi creative maturity at sixty, seventy, and now find themselves in a location where he burned intermediate stages of reflections and stylistic developments. (...).
 
(From the text by Andrea Barretta)