Exhibitions, Italy, Taranto, 13 April 2013
"BEYOND ..."
Beyond emotion, ethics
Beyond the usual mental associations ...
Beyond fashion art ...
Over the conformism passive ...
Blindness over ...
the 'creative engagement
leaves thought free-floating surfing the possible and the impossible,
explores perpetually beyond the evidence,
embodies the non-existent participating in the creation,
translates the power in place, the latent explicitly ignored in the known.
The art is unconventional and subversive because it sees the invisible. It takes harmonious notes and refined underlying choirs loud and vulgar.
The artist captures and see meaning and sense
Beyond the aesthetic enjoyment ...
Beyond the emotional sharing ...
Well ... self-expression and the collective unconscious and
raises awareness
closely reflecting the "sense" and "meaning" of ourselves and of life. This awareness is that interior movement that seeks absolute values and precious, hidden gifts that the artist reveals with elegance and kindness.
"BUT" artistic mode
The choice of expression of Antonella Scaglione is likely to ignore the constraints of fashion pictorial in a reaffirmation of spontaneity that is not only an expression of the unconscious unconscious and informal, as well as attribution of form and content semantically and ontologically recognizable by other subjectivity as universally shared.
The "spontaneous gesture" by the artist expresses the impulses of the 'unconscious through a "primary process" that has no inhibitions or moral scruples. Devoid of any rational or intellectual mediation, exist only because it is generated, lacking secondary purposes, is pure energy that wants to emanate and download voltage.
Much of contemporary and post-modern has used and abused it by resorting to an anarchist and irrational unconscious determinism.
But "beyond" the primary process, its evolution in the psyche exists in the representation of a definite shape and meaning, and yet "beyond" the ethical allocation of "sense" of the experience. The "spontaneous gesture", primitive and anarchic, is enriched by the reason and purpose of the intentional "secondary process."
From the union comes the human peculiarity, which is harmony and understanding between instinct, reason and ethics, spiraling deeper and full of feeling. The 'integration of all instances intrapsychic occurs simultaneously with the recognition of the' other social and a rebound in mutual qualifying messages.
The "spontaneous gesture", which might be abusive, autistic, antisocial, gives his ego force-person, who chooses to express themselves without violating, communicating intelligible. Turns from solipsichico the shared subjectivity to objective evidence.
The pictorial message of Antonella Scaglione choose this language socialized, that is expressed in ways socially shared content and by convention, or symbols and abstractions derived from the collective unconscious. She recreates the human priorities with their desires, their emotions, their aspirations, always away from false needs, false idols and false self, away from some simplistic post-modern elements.
Beyond emotion, ethics
Beyond the usual mental associations ...
Beyond fashion art ...
Over the conformism passive ...
Blindness over ...
the 'creative engagement
leaves thought free-floating surfing the possible and the impossible,
explores perpetually beyond the evidence,
embodies the non-existent participating in the creation,
translates the power in place, the latent explicitly ignored in the known.
The art is unconventional and subversive because it sees the invisible. It takes harmonious notes and refined underlying choirs loud and vulgar.
The artist captures and see meaning and sense
Beyond the aesthetic enjoyment ...
Beyond the emotional sharing ...
Well ... self-expression and the collective unconscious and
raises awareness
closely reflecting the "sense" and "meaning" of ourselves and of life. This awareness is that interior movement that seeks absolute values and precious, hidden gifts that the artist reveals with elegance and kindness.
"BUT" artistic mode
The choice of expression of Antonella Scaglione is likely to ignore the constraints of fashion pictorial in a reaffirmation of spontaneity that is not only an expression of the unconscious unconscious and informal, as well as attribution of form and content semantically and ontologically recognizable by other subjectivity as universally shared.
The "spontaneous gesture" by the artist expresses the impulses of the 'unconscious through a "primary process" that has no inhibitions or moral scruples. Devoid of any rational or intellectual mediation, exist only because it is generated, lacking secondary purposes, is pure energy that wants to emanate and download voltage.
Much of contemporary and post-modern has used and abused it by resorting to an anarchist and irrational unconscious determinism.
But "beyond" the primary process, its evolution in the psyche exists in the representation of a definite shape and meaning, and yet "beyond" the ethical allocation of "sense" of the experience. The "spontaneous gesture", primitive and anarchic, is enriched by the reason and purpose of the intentional "secondary process."
From the union comes the human peculiarity, which is harmony and understanding between instinct, reason and ethics, spiraling deeper and full of feeling. The 'integration of all instances intrapsychic occurs simultaneously with the recognition of the' other social and a rebound in mutual qualifying messages.
The "spontaneous gesture", which might be abusive, autistic, antisocial, gives his ego force-person, who chooses to express themselves without violating, communicating intelligible. Turns from solipsichico the shared subjectivity to objective evidence.
The pictorial message of Antonella Scaglione choose this language socialized, that is expressed in ways socially shared content and by convention, or symbols and abstractions derived from the collective unconscious. She recreates the human priorities with their desires, their emotions, their aspirations, always away from false needs, false idols and false self, away from some simplistic post-modern elements.
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