Critics by Maria Rosaria Fantin

These visually and emotionally striking images, lead to a deep introspection and a search for the self, like apparitions supported by vibrant colors. Engulfed by the solidity and the void, our gaze slips, lost in countless evolutions: dephts of the soul, changeable changes of the human being. Unknown galaxies open to us, Argonauts lost in the unchanging fulfillment of our missions, sidereal space created on a single coherent form : the circle , the sphere , used by the Nature as a representation of perfection, and by the artist as possible imperfection, meant to explore the emotional endlessness, full of tilings of the plane and the space, lost in interconnetted geometries evolving into different forms, but always part of the same matrix, like the dna , common to all forms of life but also creator of countless diversities. We are not dealing with a rational use of geometry like in Escher, but with the evolving repetition of the aniconic decoration, full of the painful question that leads the human being to sound the depth of one's feelings . By filling the entire surface with graphic signs , the artist imparts the entirety of her emotions, both experienced and expressed, the driving force of an unstoppable mechanism, volcanic with its blasting energy , and equally overwhelming; a horror vacui , an obsessive filling of space: a totally absorbing experience, that takes us to the revelation of new expansions, both mental and physical . Nothing could prevent the transposition of these powerful signs to a wall or an even more complex and articulate surface: a new Galla Placidia , a new Hagia Sophia , transformed and made contemporary in a planetarium of emotions. Works as magnifying glasses , reflections of the soul, imperfect spaces enabling us to rediscover our lost days or to be projected into a future yet to be built.

Maria Rosaria Fantin