Collective Art In Mind - London fron New Artemisia Gallery
Exhibitions, United Kingdom, London, 20 November 2009
From November 10 to 23 at the Brick Lane Gallery in London, a cosmopolitan city and innovative, was held in collaboration with the New Artemisia Gallery in Bergamo, l 'exposure of nine renowned Italian artists who have confirmed, through their presence, the interesting 'and fruitful cultural exchange and artistic now up and running and consolidated with the gallery English. The works on show reveal, once again, the talent and creativity of our artists some of whom have maintained formulas ACADEMIC more expressive, others, by contrast, have been shown to foreign audiences Their invective undertaking, and adopting solutions closer contemporaneit but to everyone in 'unison and equal merit succeeded in the difficult goal of representing the figure el' elegant style that characterizes the modern Italian art. The paintings of Anna Cavallini in Genoa ... though small it does not hinder the talented artists who are now absolute master of a personal artistic style, well-characterized lead to the establishment of the 'plastic blue and very deep feelings and the individual of the human personality'. L 'use of color and also allow all bidimensionalit' artist to communicate a greater closeness and contact with the 'universe of viewers who plays a part itself. On the same line creative, but much closer to Mondrian's abstract conceptual Gabriella Fabbri is expressed in Teramo, daughter d 'art and who, unlike his inspiration does not reduce an image imitating the surface but gives prominence to its fantastic and symmetric geometries d 'vanguard extolling the value of the dominant color and its great expressive. The line, symmetry and design, work on the one hand are fundamental elements of these artists, but not the primary purpose of the surrender of material ', constitute the inevitable precondition for the production of Galavotti of Modena. E Linosa Many other works of the painter who has now adopted a unique personal style and creative, show a single common denominator design, which together with the rhythmic play of light and shadow and thought 's no reason to be and gives meaning to the whole painting His talented artistic production. The voice from the pack, eager to manifest itself through the coloristic device alone is to Laini Mauro di Bergamo, enterprising and self-taught painter, who in his Cospicua and rich production, does not define, but throws out flashes of light Freely and any type of academic setting. Abandoned to pure color and expressive that it notifies was independent of the reins of the design is also an 'other artist, Mirella Orlandini of ... a sound artist who has in its wake numerous collective and personal and in Italy that all 'foreign to this exhibition with' Opera entitled "living space". Committed and deep is the production of Viola Serena, aka "Ser", Milan, that in London with a 'work translates into an image the basest of human feelings: mediocrity. It represented by the face of a blindfolded woman, ignorance is not watching the world, but veiled by ', is closed in its artificial universe and BUILT to "art". A further call for liberation of the 'individual is represented by the conformism Toffetti Francesca Milan that he wanted to dwell on the description of women's liberation interpreting it in an original way as a great figure in the intricate game of shapes and colors to the future progress. Expressions of the form can be seen best in portraying the female female sensualit el 'Dario Lamb of Agrigento, which carries the feeling from his homeland and the passion strong and seductive nature described in all its many aspects, human, religious, combining it universities the power of style and designed by an artist aware of his own expert and 'artistic surroundings.
dott.sa Pasqua Erica art critic

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