If the masterpieces of the artists were positively surprised by the uninitiated, they have also left indiferrenti the art experts who have focused to appreciate the works on show from the productions of the painter Bruno Laura.of Casalbore (Av) and expert, as confirmed its rich curriculum, art and aesthetics, has approached the public crossing and dealing with social issues and current in an introspective vision for a 'global ethics' or better yet to address the metamorphosis suggests that old age before any living being in evolving persuasive and rich color tones of that report into the ethnic origin from which the artist finds inspiration.
Grace Baffigi Genoa is instead anchored more strongly to materiality and concreteness of 'individual and in particular of women, sensual and captivating, but evocative, the softness of the shapes, and colors fade to less languorous and more feminine women of Renoir. His women shamelessly childish and sweet look from the canvas with a mixture of candor and , aware malice. of their eternal security exhibition. The singular "Cavalcade" geese ", perhaps allusion also to women, the canvas is curious, but well successful artist and decorator Bergamo Valente Nadia, a student of maestro Marcello Arzuffi which inherited the figurative aspect and boasting about it to many competitions and personal and collective exhibitions both local and foreign.
Equipped with composure in the representation of the forms and meanings of the colors in nature is the representation of the "Ballerina" by Fiorella Paiano, Bergamo established painter and winner of numerous competitions, strong and determined in their choice of color range bodied tone that ranges from dark which enhance the iridescent red, intense blue, with yellow sun that surround
the figure will reveal the forms and ennobled the white robes of white. Always around the figure of the woman, in this case, however, "lost" that rotates the production of Antonio Casali , architect and painter, strongly linked, in life as in the works, his land of 'origin, Cesenatico and its timeless values. It 'amazing how he can in the format.The note, sometimes dramatic, and so dissonant, his works, coupled with a wonderful painting technique, can be seen clearly in the reflection of "Narcissus", now shattered, and whose eternal beauty is apparent in the canvas but surely broken by the passage of real time . Enchanting skill designer Paola Boni, of self Colorno (Pr) and dedicated, driven by emotions, the use of pastel whose sole use is able to create and extract of the complete works where the accuracy of the sign is not less but is supported and sustained by the technical mastery of color and the cleanliness and fineness of execution so that the transparency of glass, seems to really cross with the look, and the materiality of the dish actually tangible.
The artistic world of Maffeis Elio, a native of Gazzaniga (Bg), whose works fill many private collections in Italy, is elsewhere, beyond the customary representations, limited the definition of an environment, India, away from Western culture in all its both aspects in detail, as written above in an arc east, and in ritual and evocative atmosphere of poverty and spirituality of the reflected glare of the houses by the river Ganges, the emblem from the earliest times, of deep sacredness.
Intimate and sophisticated is the production of Kyoko Kumamoto, Japanese painter, whose works betray clearly the choice of subjects and colors, but even before the preparation of the canvas an 'oriental identity. The meticulous in creating the figures "Teenagers" by a painting technique of personal associates originality of themes that have yielded big prizes in Italy and abroad.
Mastery of the sign and originality of expression are characteristic features of Sebastiano Longaretti architect and painter in Bergamo, the creator of unique works of their kind, but already a master of style and very personal which is characterized in a sign of well-defined sharp, and essential, which focuses on the description of the details as the subject in its entirety. The "woman", depicted in countless variations, and valued in her sensuality, as in its most intimate and melancholic, is constantly repeated in its production, interrupted only briefly creative, by the 'Self', a moment that 'artist gives to itself and from which begins a turn freer style, aimed to adopt a softer and sign work-oriented and much more incorporeal.
Dott.sa Enrica Pasqua storica e critica d'arte
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