Exhibitions, Italy, Imperia, San Remo, 16 June 2009
If, into the music language, the signs of interruption are pauses for the rhythm, transforming a waterfall of sounds in to a limpid harmony, similar the art of nemo signs the rhythm of the time in an a excited and amorphous universe, establishing a poetic order in the predominant chaos on mater.
Essential composition, built around a thin balance, intuitions which open wide the view on meanings not revealed yet, where reality get rid of superfluous, find itself in the energy, asleep but not defeated by the nature. As bridges of the memory, Nemo’s art works inherit a millenary history, imprisoned in the narrow space of a stone, a branch, a wood, amovable witnesses of the flowing of the life, part of far lives which they belonged to in the past, under other shape, to come to a new life now in our present, in the immortal shape consecrated by the art.
Essential composition, built around a thin balance, intuitions which open wide the view on meanings not revealed yet, where reality get rid of superfluous, find itself in the energy, asleep but not defeated by the nature. As bridges of the memory, Nemo’s art works inherit a millenary history, imprisoned in the narrow space of a stone, a branch, a wood, amovable witnesses of the flowing of the life, part of far lives which they belonged to in the past, under other shape, to come to a new life now in our present, in the immortal shape consecrated by the art.
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