Exhibitions, Italy, Benevento, 02 October 2010
Since ancient times, words and images have been the modus vivendi inseparably of our fathers, even before they were translated into signs and lines.
In this act of externalization, the artists of every age have risen to the task - sometimes opposed by taboos and inquisitions - to communicate and convey emotions and genius through the most diverse forms of expression.
The event "Speeches visual. Ideas in art "comes from the idea to bring together different experiences and artistic visions, involving 10 authors - selected from the excellence of the country - who with their works express subjectively the vital core creative staff. As a result, well, a series of dialogues just looks and references - visual speech, in fact - where the works are featured, and direct interlocutors capable of detecting its own peculiarities that only the most attentive viewer can grasp.
From this variation of the space, including historical and contemporary (the Fortress of Rectors of Benevento with his installations of great interest), the Cultural Association Cosmoart exhibition combines his vocation with the suggestion of form born of the time, unexpectedly synchronous production of ten ways of making art in the twenty-first century.
Convinced that more independent and autonomous is the path of imagination, the more pronounced is the identity of the artist, guests of the festival was given complete freedom to set their own solos, interesting, in this sense, then, the similarities appear to styles between the one and the other author, the proximity of colors and the inevitable comparisons using the poiein. Each of them, however, admire the performances in the wake of a force that seduces: the sophisticated style of Annalù, the fervent activism Constantin Migliorini, the energy at times diluted by Gabriella Cusani, the crisis of common sense of speed David Robert Ross, the pulsing color Loris Lombardo, the instinct that makes closing the eyes of Marco Romano, the uncertainty of the role of Massimo Casalini imposed on man, the rituals of testing by Massimo Pasca, distribution and transfusion of 'being a man of the Salvatore Troiano and intimacy that move the bodies of Koroo.
Thus, in the final version, the artist offers on each side of its uniqueness, not hiding anything and creative staff bag languages R03;R03;and identifying new materials for the final conquest of his own vein.
Each work is, therefore, agree and debate, dispute and consensus, controversy and admitted no one - from the most casual visitor to the creator of the show - can get out of it unscathed, no one can come out as he entered, no one would confide in the absoluteness of oxymorons.
Augusto Ozzella
In this act of externalization, the artists of every age have risen to the task - sometimes opposed by taboos and inquisitions - to communicate and convey emotions and genius through the most diverse forms of expression.
The event "Speeches visual. Ideas in art "comes from the idea to bring together different experiences and artistic visions, involving 10 authors - selected from the excellence of the country - who with their works express subjectively the vital core creative staff. As a result, well, a series of dialogues just looks and references - visual speech, in fact - where the works are featured, and direct interlocutors capable of detecting its own peculiarities that only the most attentive viewer can grasp.
From this variation of the space, including historical and contemporary (the Fortress of Rectors of Benevento with his installations of great interest), the Cultural Association Cosmoart exhibition combines his vocation with the suggestion of form born of the time, unexpectedly synchronous production of ten ways of making art in the twenty-first century.
Convinced that more independent and autonomous is the path of imagination, the more pronounced is the identity of the artist, guests of the festival was given complete freedom to set their own solos, interesting, in this sense, then, the similarities appear to styles between the one and the other author, the proximity of colors and the inevitable comparisons using the poiein. Each of them, however, admire the performances in the wake of a force that seduces: the sophisticated style of Annalù, the fervent activism Constantin Migliorini, the energy at times diluted by Gabriella Cusani, the crisis of common sense of speed David Robert Ross, the pulsing color Loris Lombardo, the instinct that makes closing the eyes of Marco Romano, the uncertainty of the role of Massimo Casalini imposed on man, the rituals of testing by Massimo Pasca, distribution and transfusion of 'being a man of the Salvatore Troiano and intimacy that move the bodies of Koroo.
Thus, in the final version, the artist offers on each side of its uniqueness, not hiding anything and creative staff bag languages R03;R03;and identifying new materials for the final conquest of his own vein.
Each work is, therefore, agree and debate, dispute and consensus, controversy and admitted no one - from the most casual visitor to the creator of the show - can get out of it unscathed, no one can come out as he entered, no one would confide in the absoluteness of oxymorons.
Augusto Ozzella
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