THE ARCANE THIN

Marina offers us the fruit of a work of great skill and constant, positive dissatisfaction expressed in the opportunity afforded by the work of going back to work several times over. Throw in color directly from the tube lying on the faces round the figures previously defined, a device designed to focus on the face denying it, covering it with a form similar to the makeup of the actors.
A laborious process, therefore, emphasizes Eliana Mogorovich in presenting the artist, which engages the attention to detail and as often happens in front of these works you can stop to appreciate the overall appearance or watch them carefully to discover of those details which at first glance may not emerge just because crayon mentioned that although they depend on the meaning of the painting.
Beyond the personal language of each artist, which still reflects a world view, all that remains is the singularity of doing. The artist exists because it exists and does not say what should or should do in and around the world, is the world make sense of what he does.