SELECTION FOR ARTISTS OPEN THE POSSIBILITY 'OF EXHIBIT AND WORK IN PROGRESS (at any instant in section for Emerging Artists-emergency) - START UP THE PHILOSOPHICAL -

SELECTION FOR ARTISTS OPEN THE POSSIBILITY 'OF EXHIBIT AND WORK IN PROGRESS (at any instant in section for Emerging Artists-emergency) - START UP THE PHILOSOPHICAL -
Exhibition of Contemporary Art (International Exibition)
- From figuration to the transfiguration - GALLERY FIDIM
-MILAN, VIA TADINO - next to "Port Venice" in the context of the Marconi Foundation.
HISTORY OF 'ART and ART CRITIC - DOMENICO DELNEGRO
Academy of Fine Arts Brera_ - MILAN
critical writer and poet; PUBLISHING FELTRINELLI and magazines d 'Art Italian and foreign.
"Writing in the guestbook of international arts CIDA" "Rome - Philadelphia"

TEXT OF THE MOST CRITICAL 'CRITICAL AUTHORITATIVE WORLD ART EXPO published by the May to 30 May.

From "Figuration to the Transfiguration" is a cyclical continuum from the previous project titled; shows "democrartecrazia" Venice "from figuration to the transfiguration and 'an evolutionary origins of human thought and its power through the inquisitive' art ',
in which the 'artist questions the truth of the image, applying to question and discuss the appearance of things built through manipulation of a pseudo-reality that requires us without our daily savings. The artist then invents a language suitable to explore the unknown facets of objects, landscapes, beings that surround us and anelitano. Through manipulation of computer-exploration sequences that accompany his daily mental, he travels parallel worlds unknown and in which cropped images embedded in our sub-layer and unconscious.
With the "Transfiguration" 's artist explores the hidden content of a cultural heritage and genetic cross that is inside. Crossing the mental spaces, he absorbs the visual elements that are essential to accept it as his imagination and selective memory that make up our references to beauty, affection, evidence, deductibility 'of' sensible appearance of things.
These objects, paintings, sculptures, details of metamorphic 'creative act generated that accumulate in our field mnemonic as a testimony of our attachment to an essential truth visible, may contain in their essence unfathomable mysteries that drive us in their adamarli key to the mystery?
"It raises the question of whether inanimate objects have a soul, therefore, that binds our conscience and urges her to love her?" He asks Dominic Delnegro.
The artist seems to reach that question in his Transfigurations. In this series dedicated to the memory space, he wants to communicate a message of reciprocity that flows from the works and is induced by the subjectivity of the unconscious through which contemplates them. The beauty, the emotion and frailty 'of things are themselves subjective, related to the evaluation of a context of an era, a campground and amplified by a desire, a momentary feeling. The choice of the object, its description of all possible top-belongs to the sphere of randomness and the unspeakable through its transformation and the 'artist shows us that no truth is absolute, not even the seduction of beauty and perfection dela apparent; mobility is inscribed in the genes of people and things ...
The memory will be eternal, asks Dominic Delnegro?
Hence, with a little 'of nostalgia that these transformations we find that contain within themselves the question of' artist facing his natural desire to enjoy, to love and to question himself. He is not captured by the beauty, from 'flamboyance, amazement or contemplative pleasure.
He wonders, and does not accept the perfection declared that the preservation of thought on the bulletin board of a "Mental Museum" works by giving the lines and colors, voltages and vacuum mnemonic reprogrammable.
The themes and forms are submitted to the eye and myopic vivisector artist that somehow challenges the absolute truth of the message picked up by reality 'tangible. The 'artist does not believe in appearance and in a sense, by subjecting these objects to worship, through the dematerialization' iconoclasm, he applies a technique for their analysis to fathom the mystery and to disclose any other reality esoterically hidden. This truth is enclosed by the chosen subject or the artist 's looking for some certainty or truth'?
The 'artist is a psychiatrist, analyst, knows the implications of the soul more' hidden and knows' that the evidence is almost never true, but apparently a sensitive sarcophagus.
His figures and "Transfigurations" are demistificazioni, perhaps even demistificazioni occurring in the depths of the mind that connects the hand to the technological means, which is nothing but the instrument of the 'crime' and of 'Assassination of art.
The works are meant to illustrate the charm of a real image of the unknown and his inner yearnings and thrills that go beyond the appearance of 'original art and leave room for imagination and the unconscious mnemonic space.
Decomposing the image of a shot they start up signs, sketches of forms, leading to much more feeling than the mind to new expressions and new images: those that no longer belong to the reality of origin, but their interpretation of a particular emotional world.
What the 'artist expresses in all jobs is yes then the result of having explored the limits of galleries and museums, exhibitions and of having visited interjected with silences, but
especially being in contact with thousands of people who have
made part of some of their secrets, a juncture of their inner vision, their fears and their dreams, sleeping and eyes open.
And, since the stories of others have in them, so often, fragments similar to our own personal stories, from being led to the exercise of touch with itself and with its depth.
In short, in every work that the artist 'suggests there are many glimpses of
work of a psychiatrist and psychotherapist forces intent on revealing, but especially so many fans of truth ', of his feelings, his freedom as its constraints, of his doubts, his dreams, his happiness as his fears. "
The seduction remains of rigor and the analyst becomes an artist in search of balance and harmony, the theme of "Transfiguration" induces strong and light, as its primary meaning suggests an episode of the magical and radiant life of Christ and the passion.
The light belongs to the symbolism of the word that crystallizes the essence of the works around the luminescent shards of thoughts that turn, that catch the light and the return of the splendor of form and matter.
Through the game of transfiguration becomes a "cosmic embrace," in
mobility materials, the very emblem of passion, becomes part of a glorious new mythology trans-migration.

Always imposes itself in the unconscious as the diggers of a truth ', unresolved and unfathomable, that a mutation detection becomes dark semantics of' art, consists in a contrast between the deep shade of 'me and the light strong and sharp, suggesting a ceremony in which the masked celebrants participate in some ancient rites and propitiatory.
A mythology comes to life, animal forms arise from 'unconscious Antonio Ligabue, a bird flutters in the sky or the sky van Gogh and the crow of death at times of predator' soul, a blade cuts through the meat plenty of Francis Bacon, a figure in the dark makes the rules as in 'Scream Munch, some approaches to the creative genesis of inspiring artists of Dubuffet's' Art Brut in French asylums ... and so 'on the imaginary asylum in' art.
The works reveal some mysteries of death and illness progenitor, regenerative life in other cases, the artist becomes an abstract colorist, minimalist almost cubist, surrealist and figurative depauperatore of his intelligence, inquiring 'serial-killer monster flush in itself 'the same.
The shapes, materials and colors come from a meta-language in which art and the invention reveal the metaphorical representation of a world-metonymic, mobile and magmatic pragmatic Finally, compound forms incodificabili and mysterious, that the imaginary Each soul in infinite imaginative theater.
The 'artist is carried away by the play of metamorphoses, exercise simplified by the use of technology becomes a means, a tool that guides the action and keeps the look when it is satisfied with the effect produced on the vehicle of' the image, "matter".
The manipulation of images leads to the creation of a dreamlike fairytale universe, often intangible, that some souls escaped the tsunami-magmatic attempt to ascend the river by appealing to the primal power of the spirit evocations fleetingly populated by esoteric.
These "Transfigurations" represent a new chapter in the work of the artist ', captured by some form of desire and pleasure in the content
exchange that operates between the object and the appropriation of this expropriation, in a gesture that he makes through the alienation and the transformation to which the subjects.
The artist decoding the unconscious essence of subjectivity that unites the soul
of things and beings in a combination in which each actor has a part
the truth of an interchange in which the key and 'secreted into the casket of God