Exhibitions, Italy, Milano, 01 May 2012
INCREDIBLE FOR ARTISTS, HOME D 'ART, EXHIBITION OF TITLE, BY THE FIGURATION disf...igurement ART IN THE XX CENTURY OF DOMENICO DELNEGRO.
OR IS THE ALL FIGURATIVE 'ABSTRACT ITALIAN AND INTERNATIONAL.
Good evening valorise WISHING TO ARTISTS FOR THE 1st MAY 2012, IS ORGANIZED COLLECTIVE GALLERY IN PRESTIGIOUS BI-LEVEL IN FRONT OF THE MILAN CENTRAL STATION (VIA Vitruvius), OF HIGH VISIBILITY 'DOMENICO DELNEGRO CRITICAL FOR OFFICIAL EVENTS, WITH IMPORTANT gallerist OF 'ITALIAN 800-900, which now houses RETROSPECTIVE GALLERY OF fAMOUS ARTIST AND OTHER NAMES fAMOUS RIVER PANORAMA OF ITALIAN ART.
PART 2 WORKS WITH POSSIBLE MAX REPRESENTATIVE. (80 X 80 cm)
EXHIBITION ONLY CONTRIBUTION TO THE COSTS INCURRED FOR WORK € 199.00.
2 WORKS DISCOUNTED € 375.00. (E 'A SELECTION FOR QUALITY' THEMATIC EXHIBITION AND RELEVANCE)
OTHER EVENTS TO CONSIDER THAT THE SAME THICKNESS AND FLOW, HAVE A COST OF MARKET € 1.500,00, FOR WHICH THE gallerist MERELY A MINIMUM FEE TO GUARANTEE IMPORTANT CULTURAL PROMOTION.
PLEASE RESERVE EARLY, PROVIDED THE PRESTIGIOUS CATALOGUE
DURATION OF EXHIBITION 20 DAYS. (IMPORTANT EVENT OF DISTRIBUTION WEB-TV, SITE GALLERY, BROCHURES AND MAIL LIST OF EXCELLENT GALLERIA.per invitations.)
EXHIBIT A GREAT OPPORTUNITY, NOT ONE TO MISS THICKNESS ON THE SITE OF SPECIAL HOUSE GALLERY AND D 'ART.
CALL FOR ready to days; STUDIOBRERAMILANO@HOTMAIL.IT
THANK YOU GREETINGS IN THE NAME OF SEPARATE 'ART
Talking to children of art is to act on complex theoretical concepts with simplicity and above all with great lightness, the discourse on modern and contemporary art more so must be clear concise and understandable to both effective and lightweight. It is in fact let the boys in the spirit, emotions, the curiosity in the matter, in gesture, in a poetic 'work, offering them the opportunity to under...stand where it comes from, what processes, expressions, experiences, reflections, the up, preceded and somehow explain their existence. If the presence in the classical painting of the figure, the kinds of narrative, the expression on the faces of feelings, makes it more conversational and understandable approach to art, (even on complex topics such as light or color contrasts) in 'approach to the works of contemporary art in which the figure is absent, are missing an important opportunity for communication / understanding with the boys. It 's time playing games that need percorrano also the processes through which an artist or a movement has come to express themselves. As an example: in front of paintings by Pollock or Widow our first thoughts and projects tend to search for such recreational opportunities, such as 'machines' perceptual and manipulative because you can invent your children discover the how and why (such as emotions, gestures, glances, relationship with the reality) of those paintings. Or again: if we want to bring children to abstract landscapes by W. Crozier it seems important to propose a path through which to explore the many depictions of the landscape painters of the eighteenth century, the Impressionists, to macchiaioli Cubists, to transformations in the abstract Kandinsky, Klee
OR IS THE ALL FIGURATIVE 'ABSTRACT ITALIAN AND INTERNATIONAL.
Good evening valorise WISHING TO ARTISTS FOR THE 1st MAY 2012, IS ORGANIZED COLLECTIVE GALLERY IN PRESTIGIOUS BI-LEVEL IN FRONT OF THE MILAN CENTRAL STATION (VIA Vitruvius), OF HIGH VISIBILITY 'DOMENICO DELNEGRO CRITICAL FOR OFFICIAL EVENTS, WITH IMPORTANT gallerist OF 'ITALIAN 800-900, which now houses RETROSPECTIVE GALLERY OF fAMOUS ARTIST AND OTHER NAMES fAMOUS RIVER PANORAMA OF ITALIAN ART.
PART 2 WORKS WITH POSSIBLE MAX REPRESENTATIVE. (80 X 80 cm)
EXHIBITION ONLY CONTRIBUTION TO THE COSTS INCURRED FOR WORK € 199.00.
2 WORKS DISCOUNTED € 375.00. (E 'A SELECTION FOR QUALITY' THEMATIC EXHIBITION AND RELEVANCE)
OTHER EVENTS TO CONSIDER THAT THE SAME THICKNESS AND FLOW, HAVE A COST OF MARKET € 1.500,00, FOR WHICH THE gallerist MERELY A MINIMUM FEE TO GUARANTEE IMPORTANT CULTURAL PROMOTION.
PLEASE RESERVE EARLY, PROVIDED THE PRESTIGIOUS CATALOGUE
DURATION OF EXHIBITION 20 DAYS. (IMPORTANT EVENT OF DISTRIBUTION WEB-TV, SITE GALLERY, BROCHURES AND MAIL LIST OF EXCELLENT GALLERIA.per invitations.)
EXHIBIT A GREAT OPPORTUNITY, NOT ONE TO MISS THICKNESS ON THE SITE OF SPECIAL HOUSE GALLERY AND D 'ART.
CALL FOR ready to days; STUDIOBRERAMILANO@HOTMAIL.IT
THANK YOU GREETINGS IN THE NAME OF SEPARATE 'ART
Talking to children of art is to act on complex theoretical concepts with simplicity and above all with great lightness, the discourse on modern and contemporary art more so must be clear concise and understandable to both effective and lightweight. It is in fact let the boys in the spirit, emotions, the curiosity in the matter, in gesture, in a poetic 'work, offering them the opportunity to under...stand where it comes from, what processes, expressions, experiences, reflections, the up, preceded and somehow explain their existence. If the presence in the classical painting of the figure, the kinds of narrative, the expression on the faces of feelings, makes it more conversational and understandable approach to art, (even on complex topics such as light or color contrasts) in 'approach to the works of contemporary art in which the figure is absent, are missing an important opportunity for communication / understanding with the boys. It 's time playing games that need percorrano also the processes through which an artist or a movement has come to express themselves. As an example: in front of paintings by Pollock or Widow our first thoughts and projects tend to search for such recreational opportunities, such as 'machines' perceptual and manipulative because you can invent your children discover the how and why (such as emotions, gestures, glances, relationship with the reality) of those paintings. Or again: if we want to bring children to abstract landscapes by W. Crozier it seems important to propose a path through which to explore the many depictions of the landscape painters of the eighteenth century, the Impressionists, to macchiaioli Cubists, to transformations in the abstract Kandinsky, Klee
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