Exhibitions, Italy, Frosinone, Anagni, 01 July 2012
RECYCLING OF LOVE - ITALO TURRI (1926-1995)
(Maria Theresa Palitta)
Hands superimposed, the melancholy look, the excavated face, as a field for sowing, in Italo Turri, who called himself Monzon, for immersion in the art, confirm the pathos of the wealth of the works.
The "recycling" of love, he went to meet, in its historical path, marked the accolade of being that dilada himself on cartoons released into the balance to confirm the verdict "Nothing is destroyed: Everything changes."
In realizing this impetus, Turri manifested the triumph of the decaying through an insert memory (women, objects, animals) made humbly nell'evanecenza built or painted with enamel and veneers in a sumptuous adaptation stage and poor.
At root, Turri put love, and on this basis he was able to express the nectar of absolute simplicity. He sank to the current, such as cartoons and reclicati rigid planes, and landed in the delta of intellectual consolidation: on the one hand the treasures of the waste, the objective. So the art exploded in all its intrinsic extension. The root and the seed of thought, implicido in form, took the body and created what is now amazes us.
By evanescent touch was able to draw a prelude to an archaic resonance. The effects of its Anagni expanded gradually and reached new locations. So the memorial was complete. What he saw, in his extraordinary live, work and sacrifice, takes are difficult to find in the solemn academies.
Turri had a solemn primordial intuition, speed enforcement, the approximation of life, as if the subject were also driven by the current in search of landing. His tenacity made him fill out a form in accordance with its standard of living estranged from noise, wrapped in humility, eager to make a mark on the things thrown, as an act of love that solicit the human dissonance, ready to get rid of the profit for a deleterious whim, was able to perform the metamorphosis which now produces crescendos inevitable.
A pure impressionism, personalized, rich sequences that put the woman on top of everything, praise sweet, discreet, and a clear return to the air you breathe and the collection of components for dust before his hands daring you imprimessero above the unmistakable mark of their love.
The Argentina had a boxer named Monzon, from whose hands burst strength.
We had a painter on the capacities strong: his fingers shook cartons destined for degradation, stroked them, spread them, painted them and gave them, enraptured by gratitude. Meanwhile ecstasy has become recripoco support: his art remains intact in the chest of the mystery. We may find out how loving the paintings of Turri inconceivable in their element.Annulla modifiche
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(Maria Theresa Palitta)
Hands superimposed, the melancholy look, the excavated face, as a field for sowing, in Italo Turri, who called himself Monzon, for immersion in the art, confirm the pathos of the wealth of the works.
The "recycling" of love, he went to meet, in its historical path, marked the accolade of being that dilada himself on cartoons released into the balance to confirm the verdict "Nothing is destroyed: Everything changes."
In realizing this impetus, Turri manifested the triumph of the decaying through an insert memory (women, objects, animals) made humbly nell'evanecenza built or painted with enamel and veneers in a sumptuous adaptation stage and poor.
At root, Turri put love, and on this basis he was able to express the nectar of absolute simplicity. He sank to the current, such as cartoons and reclicati rigid planes, and landed in the delta of intellectual consolidation: on the one hand the treasures of the waste, the objective. So the art exploded in all its intrinsic extension. The root and the seed of thought, implicido in form, took the body and created what is now amazes us.
By evanescent touch was able to draw a prelude to an archaic resonance. The effects of its Anagni expanded gradually and reached new locations. So the memorial was complete. What he saw, in his extraordinary live, work and sacrifice, takes are difficult to find in the solemn academies.
Turri had a solemn primordial intuition, speed enforcement, the approximation of life, as if the subject were also driven by the current in search of landing. His tenacity made him fill out a form in accordance with its standard of living estranged from noise, wrapped in humility, eager to make a mark on the things thrown, as an act of love that solicit the human dissonance, ready to get rid of the profit for a deleterious whim, was able to perform the metamorphosis which now produces crescendos inevitable.
A pure impressionism, personalized, rich sequences that put the woman on top of everything, praise sweet, discreet, and a clear return to the air you breathe and the collection of components for dust before his hands daring you imprimessero above the unmistakable mark of their love.
The Argentina had a boxer named Monzon, from whose hands burst strength.
We had a painter on the capacities strong: his fingers shook cartons destined for degradation, stroked them, spread them, painted them and gave them, enraptured by gratitude. Meanwhile ecstasy has become recripoco support: his art remains intact in the chest of the mystery. We may find out how loving the paintings of Turri inconceivable in their element.Annulla modifiche
tradotto automaticamente da Google
DizionarioGoogle Traduttore per il Business:Translator ToolkitTraduttore di siti webStrumento a supporto dell'exportDisattiva traduzione istantaneaInformazioni su Google TraduttorePer cellulariPrivacyGuidaInvia commenti
Fai clic per modificare e visualizzare le traduzioni alternative
Trascina tenendo premuto MAIUSC per riordinare.
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