RizHoma.housegallery - Civitas Interdictio - Loredana Grasso Solo show

In the modern conception of the term "citizenship" has taken on different meanings. The most common is realized in the deep sense of belonging that every human being has with a circumscribed place.
Birth, Living and Dying were often limited by specific geographic boundaries so as to lead one to think that they can self-sufficient, which is not entirely wrong.
With Civitas interdict it points out the deprivation or, rather, on what the intervention of Man has the most expensive: the sense of belonging.
The deep connection with her braided homeland led him to believe that the lack of community identity necessarily coincide with a state of total disorientation.
And 'only by a careful reflection on the concept of "deprivation of citizenship" that the work of Loredana Grasso takes many forms and enlightening aspects. The same are conducted by elements chosen by the artist to investigate the true meaning of Statelessness.
Never as appropriate as at the present time, this term travels in close connection with the wanderings of some subjects to their new and unexplored territories. This determines the absolute prevalence of Man / Stateless becoming a strong appeal to the already used the expression "Man citizen of the world" that has made one of Epictetus from the Greek sophists thought more akin to modern conceptions.
Features animals from terrifying and hypnotic gaze, scenes between dream and make the work of the paradoxical Loredana Grasso able to deal with the transience of our certainties, because it made them fell into a reality without fixed points or "zones free ".
To influence the artist's poetry is precisely the indefiniteness at this point to the value needed to go to discover new worlds.
Beyond space, beyond time as demonstrating that the identified within certain city limits can not meet the desire of the human being does not belong to any predefined location.
According to this idea he goes, he moves, wanders everywhere experiencing a feeling of freedom through which it feels to be beyond their mental limits / geography.
And so here, as all the exhibited works can contribute to this feeling of "vengeance" using operator of the displacement as a great tool to conduct everyday objects toward the surreal.
In the double value of stateless taken, the entire work of the artist is, yes, the loss of the state against a citizen but has demonstrated its total commitment to overcoming physical and mental limits.