Critical texts, Italy, Milano, 01 January 1970
Between ancient and modern processes of intaglio printing, post-futurist and trends in hyper-modern, faceted Uraken the primordial energy in a myriad of sinuous lines changing, expressing his visual sensations with whirlpools and eddies, in the crucible of his inner universe. In a personal style, as a sign of a frenetic geometric pattern and a helical shape of subjective images, captivating, median, Salvatore Montoleone does surface from its cultural treasure chest vibrations of distant rhythms, which are dispersed like cosmic glimpses card cotton. Lights and shadows highlight the barriers to a mystery shot through with an infinite, free and spiritual movements underwater, and draw a different breath punctuated the infinite universe.
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