!["Hell Necessary" - Manifesto Brut](https://www.premioceleste.it/indi/_pics/6/0/MEMORIA_9602_2005.jpg ""Hell Necessary" - Manifesto Brut")
Exhibitions, Italy, Salerno, Auletta, 21 August 2015
The Foundation presents MIdA in the monumental complex of "Jesus" MIdA 03 Auletta, in the province of Salerno, an exhibition of the Manifesto Brut (Movement of art out system) entitled "Hell Necessary". The text was written by the curator of the exhibition Maya Pacifico.
"Art is not an object to be admired and studied, but a way of doing and seeing things. From this simple idea was born "Manifesto Brut" which it joined a diverse group of artists, a community subordinate able to break the line of years and years of official reports that have always shown a partial view of events. "
Protagonists of the show, the artists of the Manifesto Brut. Their works are inspired by the artist's need to position themselves as such in the world of social without having to give up his personality and his creativity. The artists are: Pina Della Rossa, Michael Beauvent, Santino Country, Dario Carmentano, Anna Colmayer, Irina Danilova, Elena dell'Andrea, Peppe Esposito, Roberta Filippi, Stefanie Krings, Kronstadiano Mauro Fiore, Pine Lauria, Eric Legrain Angelo Riviello, Roberto Scala, Rocco Sciaudone, Giorgio Scotti, Alejandrina Solares, Rino Telaro, Winny Tewes.
PINA DELLA ROSSA, presents the work "MEMORY", 2011
with Critical Text of the Assunta Pagliuca:
Travel in bilocation.
The work "Memory" is at the center of an ancestral vision of man's ability, like the artist, to "live" the cave. With an external focus the eye is caused to pass through a central portion of the cavity and rushing liquidating paradigmatic structures of the material world. What immediately draws the existential need to walk the "inside" that is in the human being, the folds of his inner existence, is that passage in the work marked by a sort of black screen. A screen that can reflect or appearances can reveal naked truth. How or who fulfilled the selection is to be found in the ability to let introduce new paths of research or be retracted by appearances preconceived. The path suggested by the artist Pina Della Rossa is to advance deep into the darkness where it dampens the frequency of light, in a shadowy dimension, where what appears is never what it is. And 'immediately, in "Memory" as the communication element has barred their access to the outside. Doors shut with a balcony, held within a railing, restructure the spatiality of the above-below the inside-outside scoring, with this, the end of the colorings of being dramatic and grotesque. Red spots scattered on the rough stone, as currents of cosmic energy, vibrant sink deep into the earth. It acts as a support for the structure of the lower balcony, a stone already scratched from white outline, as if to grasp the totality of existence and also his silence. A silence off notes red instinct, colors ranging from shaking the decomposition of matter of atoms that collide, oppose, are destroyed. And 'the transition to the darkness of hell, where the multiplicity remains one and the same. And 'the journey of being that is dematerialized, that is free from the contradictory implications of symbols and things, in search of its principle and its why. In this state there is no worry of values. Every judgment is pending. Infernoè the great intuition of an intimate bond of Light and Darkness. And 'the revelation of the seals and the creations which make up the world. The artist, Pina Della Rossa, once again, with his deep sensitivity and a camera shutter that supports the dynamism of nature and being, has managed, through a combination of alchemy, to grasp the links, shadows, simulacra of existence where everything is in everything. "Memory" is a substantial contribution to the journey into the depths of human experience, where the necessary loss of roots and absence of light are not perceived as uncomfortable as fear of the unknown, but as the pre-existing condition of being. No longer the eternal division of opposites. Ormuz and Ahriman are reassembled into new universal energy. Evil, born to repent of the good, ceases its struggle, in a new-found harmony. The trip has revealed this truth that is ready to come back, regenerated, the light. And 'from this shift that draws nourishment essence, the meaning of life, watching the Dark, the darkness as an experimental but necessary adventure of the artist and the man.
"Art is not an object to be admired and studied, but a way of doing and seeing things. From this simple idea was born "Manifesto Brut" which it joined a diverse group of artists, a community subordinate able to break the line of years and years of official reports that have always shown a partial view of events. "
Protagonists of the show, the artists of the Manifesto Brut. Their works are inspired by the artist's need to position themselves as such in the world of social without having to give up his personality and his creativity. The artists are: Pina Della Rossa, Michael Beauvent, Santino Country, Dario Carmentano, Anna Colmayer, Irina Danilova, Elena dell'Andrea, Peppe Esposito, Roberta Filippi, Stefanie Krings, Kronstadiano Mauro Fiore, Pine Lauria, Eric Legrain Angelo Riviello, Roberto Scala, Rocco Sciaudone, Giorgio Scotti, Alejandrina Solares, Rino Telaro, Winny Tewes.
PINA DELLA ROSSA, presents the work "MEMORY", 2011
with Critical Text of the Assunta Pagliuca:
Travel in bilocation.
The work "Memory" is at the center of an ancestral vision of man's ability, like the artist, to "live" the cave. With an external focus the eye is caused to pass through a central portion of the cavity and rushing liquidating paradigmatic structures of the material world. What immediately draws the existential need to walk the "inside" that is in the human being, the folds of his inner existence, is that passage in the work marked by a sort of black screen. A screen that can reflect or appearances can reveal naked truth. How or who fulfilled the selection is to be found in the ability to let introduce new paths of research or be retracted by appearances preconceived. The path suggested by the artist Pina Della Rossa is to advance deep into the darkness where it dampens the frequency of light, in a shadowy dimension, where what appears is never what it is. And 'immediately, in "Memory" as the communication element has barred their access to the outside. Doors shut with a balcony, held within a railing, restructure the spatiality of the above-below the inside-outside scoring, with this, the end of the colorings of being dramatic and grotesque. Red spots scattered on the rough stone, as currents of cosmic energy, vibrant sink deep into the earth. It acts as a support for the structure of the lower balcony, a stone already scratched from white outline, as if to grasp the totality of existence and also his silence. A silence off notes red instinct, colors ranging from shaking the decomposition of matter of atoms that collide, oppose, are destroyed. And 'the transition to the darkness of hell, where the multiplicity remains one and the same. And 'the journey of being that is dematerialized, that is free from the contradictory implications of symbols and things, in search of its principle and its why. In this state there is no worry of values. Every judgment is pending. Infernoè the great intuition of an intimate bond of Light and Darkness. And 'the revelation of the seals and the creations which make up the world. The artist, Pina Della Rossa, once again, with his deep sensitivity and a camera shutter that supports the dynamism of nature and being, has managed, through a combination of alchemy, to grasp the links, shadows, simulacra of existence where everything is in everything. "Memory" is a substantial contribution to the journey into the depths of human experience, where the necessary loss of roots and absence of light are not perceived as uncomfortable as fear of the unknown, but as the pre-existing condition of being. No longer the eternal division of opposites. Ormuz and Ahriman are reassembled into new universal energy. Evil, born to repent of the good, ceases its struggle, in a new-found harmony. The trip has revealed this truth that is ready to come back, regenerated, the light. And 'from this shift that draws nourishment essence, the meaning of life, watching the Dark, the darkness as an experimental but necessary adventure of the artist and the man.
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