09 February 2015
When you look at a picture, an image or a portrait, the first reaction is to look immediately at the eyes of the subject represented. Eyes staring, eyes that stare fixed, printed on paper or canvas. Eyes that more of thousand words can describe moments of life lived. Because, as you know, the eyes are the mirror of the soul, paintings that arise from a thousand different and random encounters. In each there is a story lived that wants to be discovered.
It is from these meetings that the artist Aurora Rossini awakens its women, showing an uncanny ability to communicate with the Viewer; with her's light stretches and determined lines, who works slowly but surely, trying to capture the fleeting impression that allows the Viewer to penetrate beyond the skin of her works. Because basically what is the skin if not a wrapper, a container of emotions and instincts that are fighting each other?
In her paintings we can go further, almost reaching to touch the subject of which we are made. All this happens thanks to a technique very difficult to dominate for his unpredictability as the watercolor, which arises from the encounter/clash between color and water. If not provided the paper flakes as the soul but, where it is used at its best, it makes the design light and capable of elevating the thousands shades of the color.
Aurora Rossini is a young painter and art therapist emerging, who knew how to capitalize on the most of his abilities as an artist and as a woman, claiming in contrasts her be free. The strong point of his works lies in the thoughts that go around to his women; their aura comes from a great sense of freedom with a innate ethics. Among the many disputes emerge that hair in her portraits are always highlights: frame for the face, the hair are the border that outlines the features, closing space.
In Aurora hair is not instead the beginning of a border, her idea is that the hair is free to go beyond appearance, thereby eliminating one of the main boundaries of the body. The artist is constantly changing, as his designs, careful and precise. Her brushes and her pencils tell stories of women in transformation, claiming a own intimacy even where it is forbidden to ask for more.
See that her works counter look is a real pleasure for the soul. The artist, like a surgeon, enters inside the living flesh of his canvases by giving at her women from many positions the freedom to do whatever they want, whether they be dressed, undressed, thinking or in observation. In the veins of his canvases move water and color, subjects of their creation.
Aurora Rossini not conceives in her works the concept of boundaries and closures, vindicates a fundamental human right that sometimes gets forgotten, namely freedom. We may never know why her works set us, what they are thinking or what they are about to do, because being free does not involve coercion. Her art and her inspiration are exclusively the daughters of the freedom.
Chiara Giglio
It is from these meetings that the artist Aurora Rossini awakens its women, showing an uncanny ability to communicate with the Viewer; with her's light stretches and determined lines, who works slowly but surely, trying to capture the fleeting impression that allows the Viewer to penetrate beyond the skin of her works. Because basically what is the skin if not a wrapper, a container of emotions and instincts that are fighting each other?
In her paintings we can go further, almost reaching to touch the subject of which we are made. All this happens thanks to a technique very difficult to dominate for his unpredictability as the watercolor, which arises from the encounter/clash between color and water. If not provided the paper flakes as the soul but, where it is used at its best, it makes the design light and capable of elevating the thousands shades of the color.
Aurora Rossini is a young painter and art therapist emerging, who knew how to capitalize on the most of his abilities as an artist and as a woman, claiming in contrasts her be free. The strong point of his works lies in the thoughts that go around to his women; their aura comes from a great sense of freedom with a innate ethics. Among the many disputes emerge that hair in her portraits are always highlights: frame for the face, the hair are the border that outlines the features, closing space.
In Aurora hair is not instead the beginning of a border, her idea is that the hair is free to go beyond appearance, thereby eliminating one of the main boundaries of the body. The artist is constantly changing, as his designs, careful and precise. Her brushes and her pencils tell stories of women in transformation, claiming a own intimacy even where it is forbidden to ask for more.
See that her works counter look is a real pleasure for the soul. The artist, like a surgeon, enters inside the living flesh of his canvases by giving at her women from many positions the freedom to do whatever they want, whether they be dressed, undressed, thinking or in observation. In the veins of his canvases move water and color, subjects of their creation.
Aurora Rossini not conceives in her works the concept of boundaries and closures, vindicates a fundamental human right that sometimes gets forgotten, namely freedom. We may never know why her works set us, what they are thinking or what they are about to do, because being free does not involve coercion. Her art and her inspiration are exclusively the daughters of the freedom.
Chiara Giglio
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