Digital Watercolors

Liliana Leone, architect, lives and works in Genoa. Since 1998 he opened Studio Archifax and began working as a designer and industrial designer for major companies in the sector. Participate in architectural competitions both nationally and internationally, combining work as a designer and architect to that of a digital artist. some of his works are in private collections in Italian and foreign companies. Liliana Leone's artistic research is based on the exploration of which may tend to limit digital art when approaching a traditional painting technique, that of watercolor. The artist observes the reality that surrounds it in the most striking aspects of his personality, and then transforms these scenarios through a personal technique of "digital painting", tending to transform the initial subject of the work to sublimate its chromatic essence and bright, in a game of appearances and transparencies. In this creative process, fragments of landscape architecture figures handwritings written advertising structures devices and writing instruments texture image are transformed by the geometric sign that the staff plays, taking shape in other levels of perception, in a reading that goes beyond the surface, inside the folds , in the shadow areas of the subject, in a careful observation would reveal that the atomic essence of creation. ".... The watercolor painting technique is used in an unusual way, pixelated, an original technique that mixes action with color glazes own photographic technique, in kaleidoscopic chemistry of signs, symbols, fragments, traces. The paintings on display, all strictly square, reproduce geometric explosions, reactions, clutches and mutazioni.I colors seem to be enclosed in triangles, precise and irregular fragments that want to interpret the creative act of the Big Bang.L 'intent is to Liliana Leone the visitor to imagine what could be a creative genesis of the universe. If attached to the canvas seems to get along pop up, moving, like a kaleidoscope irregular. The works on display illustrate fragments, traces, details, details of an all too large to be seen with a single glance, but so vast as to be always different "