KONZEPTION marries Carola Perla’s prose work with her sculptural ‘Lichtsprache’ – lighted cut-paper sculpture and visual poetry installations. She created her first installation, “Off the Page” (2011), as a direct reaction to the hermetic process of writing her debut novel “Gibbin House”. Her desire to visually celebrate the completion of this book led to further exploration in ‘lighted’ words and cut paper that incorporated published text as well as in situ ‘poetry chants’. KONZEPTION picks up where “Off the Page” left off, examining the birth of the novel instead. The source here is the in-progress literary fiction novel “Humboldt’s Riches”, a semi-autobiographical Heart of Darkness that follows a young family’s escape from the remote Amazon region of Apurimac during Peru’s 1980 guerilla uprisings.
“Konzeption: Prologue”, written in a similar way to other ‘poetry chants’, sets the stage for this South American adventure story. Breathlessly, it describes the dangerous task of driving in the Andes. As a spontaneous composition, the prologue cannot be amended. With no space for error, the artist is much like the Andean driver, maneuvering on a knife’s edge, aware that each carved word will irrevocably form part of the novel’s opening scene. Above the lines hangs the second sculptural element of the piece, a theatrical curtain that introduces this story. Ruffled and fragile, with lace-like lattice cuts, the constructed white ‘curtain’ is meant to work simultaneously fragile as well as imposing and precarious in its weight and irregularity. Like an avalanche, with its frayed layers casting craggy shadows, the curtain portends the nebulous beginnings of something.
“Konzeption: Prologue” was unveiled on August 10, 2013, officially launching the KONZEPTION series that is projected for completion in summer 2014. A special-edition photo book documenting the KONZEPTION project will be released as a companion to "Humboldt's Riches" upon publication.
Original content from www.gibbinhouse.blogspot.com
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