01 September 2012
Man of Oristano, we are, because someone is absent?
In the south of the island was coming autumn 2012 a still hotter than a hot summer, emerging artistic and cultural playacting that could not only help to bury the old Atlantis land of the giants who could talk to the stars, it was found that the attribution of political office of King Of Rectum Man of Nuoro key role in its strategic positioning and sorting of political funds for the arts and culture of provincial and regional level, the taxpayer, this charge at first attributed to an artist island eventually create a popular uprising among the suitors had been assigned to a farmhouse with the tacit instructions not to disturb too much the balance of the last few years made of non-profit associations truthfully profit when it was going to raise funds and resources to be paid by ' unsuspecting taxpayer in the name of a left (which was not left) ready to put your wallet in the name of art and culture in the island.
PROJECTS OF MAN NUORO
The projects that were discussed in a mega summit on contemporary art at the Man of Nuoro bordered on the ridiculous and the common sense of decency, but you know if we think about contemporary sense of shame is bigoted cattocomunisti of Pasolini's memory and you finds himself in a moment to be considered aggressive, uneducated, ignorant and dangerous to sound diffusion and binding set of contemporary art.
Transgender artists svendevano Islanders online on behalf of a magazine of art born from the wreckage of another magazine of contemporary art abandoned before it sank, someone proposed to exhibit artists in their homes or at home brothels of district willing to accommodate the works, someone else claimed that spaces Okkupati in the name of free artistic research needed aid and funds in the name of freedom of artistic research; rained bald heads early artists of paper slightly and being carried away by the wind scopiazzavano ideas and projects left and right and ran crumbling galleries where in fact they were domiciled in which they bred and loved by naive artists battery nourishing dreams, cut in the halls of painting where he reasoned light on denying it, painting barefoot; collectors who purchased young artists with waste paper waiting to place their private collection in a public space to increase its market value (which actually did not exist at the national and international), a scandal that the contemporary art collectors was also a title that would allow d 'History of Contemporary teach in conservatories, who was buying history and the public should only support it, even if the artists themselves to find him intolerable.
To honor the previous record in 2009 with The Man of the righteous king of Nuoro had organized a summit on the future of art and isolated island, same guests, same cut and perhaps the same scam as nothing had changed in three years.
One thing was really amazing and it was the voice of artists gather before the islanders, very provincial in their conception radical chic and hyper bourgeois art making, unaware of their specificity and artistic identity millennial raise their voices in support of these cultural projects ( ?) per island, the taxpayer is unaware claimed the necessity of public money for private selections organize and produce catalogs (but in 2012 to disseminate artistic pursuits were still needed?), the most daring and sold off without any sense of decency they claimed was raise unnecessary fuss and at the end of projects such as Wanda Ali internet portal pro artists islanders became in fact a porn chat could make sense in the end we were all on the same island and this is condoned by the inability of artists Islanders self-determination and living in the contemporary, even the most enthusiastic proponents said the summit looked like they were also unable to connect to the web, self-publish their work, share and support culturally in a portal, incredible!
There was everything in the manger of Man, but it was only the trajectories of pigeons breeding standard, something else was happening elsewhere and was seriously indy.
AXIS OF GOVERNMENT PD-SEL IN SUPPORT OF ART AND CULTURE?
One thing was absolutely shocking and it was that all the experts certified by the Man of Nuoro in this mappina mappings on the state of contemporary art in Sardinia was actually a for-profit association which for years has moved in a mellifluous and Democrat PD SEL-axis, even were invited without restraint Secretaries of the mayor aldermen tuft of plastic that also had the guilt of being permanent employees of Flash Art, in short it was in front of devils who wore prada and when it did was to seek consent and approval, will have been a chance, but in reality this summit cultural anarchist and communist red were represented, as were absent right and liberal and social liberal, he was in front of a bipartisan lotizzazione came directly from Italy to blows commercial media and electoral art and culture bipartisan, the Academic Pavilion Italy Sardinia with its conservative cut right to the vanguard of the revolutionary left enlightened and plastic (less real than the right cultural and artistic Sgarbi is with culture and dignity ) license plate Bersani-Vendola Casini and sadly the art and culture of research that can not exist without public assistance as well being at the service of individuals.
The sad thing was that the culture of red real research was disappearing from political representation, cultural and social European and Italian and to the miners of Carbonsulcis there remained nothing else to do but go into the mine and cut the veins in press, chaos reigned culture of the left that aspired to the government and actually "technically" it was on was right, the culture of the right of government was in fact left, there would have been siding with Sgarbi, Bonami and Beatrice was not that he destroy meaning and a clear idea of political and social art historically left.
THE PRESS ITALICA
Meanwhile, the press Italic dealt with on the other, the art and the Sardinian artists had never seriously interested, the topic was the performance to be condemned by Julian Charrière, which after having captured and painted colored pigeons let flutter in Piazza San Marco in Venice, according to Julian who calls himself a social observer planner, Swiss 25 years, is nothing more than a safari in the urban landscape, at the bottom of pigeons (most of Sardinian artists add) are part of our common ground and the color will disappear within a few months, the pigeons law have been painted with a supply of water, the same that is used to mark the migration of birds, a hundred colored pigeons in Piazza San Marco in Venice and artists islanders do not exist, the variations are cobalt blue, emerald green and red tiziano.
MAN OF ORISTANO
Oristano was born in parallel another Man, wanted very strongly by two local artists Solarussa Michael Meredith and Clare Schirru (Directors), a MAN more male than that of Nuoro which in fact had begun to contradict the spirit barbaricino, all born with the blessing of the one councilor red south of the capital island, a bizarre and heroic character in the independent and underground areas of the visual arts not only island called Clark Kent Lobina, because in reality what really distinguished the island from all other artistic realities of the Western system was the fact that they were serious about indy indy, it was setting complete with a certificate of political representation a scenario where one side there was a contemporary art Sardinian island and not isolated that did not seek assistance and other artists plastic case for Sardinians who as the only common cause to sell out to private with public funds, in short, were charged to a taxpayer who could hardly buy the works.
INAUGURATION OF THE Man of Oristano 09/13/2012
Directors of the Man of Oristano: Uby Atza, Michael Meredith and Clare Schirru.
Throw money quote: Ivo Serafino Fenu.
First independent visual artists signed the call for the creation of the Man of Oristano:
Augusto Murgia - Valentina Siddi - Stay on Mud - Francis Cogoni - Andrea Basciu - Stefano Melis - Michele Melis - Matthew Campulla - Movement obscurantist - Matthew Tauriello - Tavor Mobil Art - Barbara Ardau - Domenico "Mimmo" Di Caterino.
Meeting at 14 to Solarussa
Man will attend the operation of Oristano, the only councilor red Cagliari Clark Kent Henry Lobina at 16.
In the south of the island was coming autumn 2012 a still hotter than a hot summer, emerging artistic and cultural playacting that could not only help to bury the old Atlantis land of the giants who could talk to the stars, it was found that the attribution of political office of King Of Rectum Man of Nuoro key role in its strategic positioning and sorting of political funds for the arts and culture of provincial and regional level, the taxpayer, this charge at first attributed to an artist island eventually create a popular uprising among the suitors had been assigned to a farmhouse with the tacit instructions not to disturb too much the balance of the last few years made of non-profit associations truthfully profit when it was going to raise funds and resources to be paid by ' unsuspecting taxpayer in the name of a left (which was not left) ready to put your wallet in the name of art and culture in the island.
PROJECTS OF MAN NUORO
The projects that were discussed in a mega summit on contemporary art at the Man of Nuoro bordered on the ridiculous and the common sense of decency, but you know if we think about contemporary sense of shame is bigoted cattocomunisti of Pasolini's memory and you finds himself in a moment to be considered aggressive, uneducated, ignorant and dangerous to sound diffusion and binding set of contemporary art.
Transgender artists svendevano Islanders online on behalf of a magazine of art born from the wreckage of another magazine of contemporary art abandoned before it sank, someone proposed to exhibit artists in their homes or at home brothels of district willing to accommodate the works, someone else claimed that spaces Okkupati in the name of free artistic research needed aid and funds in the name of freedom of artistic research; rained bald heads early artists of paper slightly and being carried away by the wind scopiazzavano ideas and projects left and right and ran crumbling galleries where in fact they were domiciled in which they bred and loved by naive artists battery nourishing dreams, cut in the halls of painting where he reasoned light on denying it, painting barefoot; collectors who purchased young artists with waste paper waiting to place their private collection in a public space to increase its market value (which actually did not exist at the national and international), a scandal that the contemporary art collectors was also a title that would allow d 'History of Contemporary teach in conservatories, who was buying history and the public should only support it, even if the artists themselves to find him intolerable.
To honor the previous record in 2009 with The Man of the righteous king of Nuoro had organized a summit on the future of art and isolated island, same guests, same cut and perhaps the same scam as nothing had changed in three years.
One thing was really amazing and it was the voice of artists gather before the islanders, very provincial in their conception radical chic and hyper bourgeois art making, unaware of their specificity and artistic identity millennial raise their voices in support of these cultural projects ( ?) per island, the taxpayer is unaware claimed the necessity of public money for private selections organize and produce catalogs (but in 2012 to disseminate artistic pursuits were still needed?), the most daring and sold off without any sense of decency they claimed was raise unnecessary fuss and at the end of projects such as Wanda Ali internet portal pro artists islanders became in fact a porn chat could make sense in the end we were all on the same island and this is condoned by the inability of artists Islanders self-determination and living in the contemporary, even the most enthusiastic proponents said the summit looked like they were also unable to connect to the web, self-publish their work, share and support culturally in a portal, incredible!
There was everything in the manger of Man, but it was only the trajectories of pigeons breeding standard, something else was happening elsewhere and was seriously indy.
AXIS OF GOVERNMENT PD-SEL IN SUPPORT OF ART AND CULTURE?
One thing was absolutely shocking and it was that all the experts certified by the Man of Nuoro in this mappina mappings on the state of contemporary art in Sardinia was actually a for-profit association which for years has moved in a mellifluous and Democrat PD SEL-axis, even were invited without restraint Secretaries of the mayor aldermen tuft of plastic that also had the guilt of being permanent employees of Flash Art, in short it was in front of devils who wore prada and when it did was to seek consent and approval, will have been a chance, but in reality this summit cultural anarchist and communist red were represented, as were absent right and liberal and social liberal, he was in front of a bipartisan lotizzazione came directly from Italy to blows commercial media and electoral art and culture bipartisan, the Academic Pavilion Italy Sardinia with its conservative cut right to the vanguard of the revolutionary left enlightened and plastic (less real than the right cultural and artistic Sgarbi is with culture and dignity ) license plate Bersani-Vendola Casini and sadly the art and culture of research that can not exist without public assistance as well being at the service of individuals.
The sad thing was that the culture of red real research was disappearing from political representation, cultural and social European and Italian and to the miners of Carbonsulcis there remained nothing else to do but go into the mine and cut the veins in press, chaos reigned culture of the left that aspired to the government and actually "technically" it was on was right, the culture of the right of government was in fact left, there would have been siding with Sgarbi, Bonami and Beatrice was not that he destroy meaning and a clear idea of political and social art historically left.
THE PRESS ITALICA
Meanwhile, the press Italic dealt with on the other, the art and the Sardinian artists had never seriously interested, the topic was the performance to be condemned by Julian Charrière, which after having captured and painted colored pigeons let flutter in Piazza San Marco in Venice, according to Julian who calls himself a social observer planner, Swiss 25 years, is nothing more than a safari in the urban landscape, at the bottom of pigeons (most of Sardinian artists add) are part of our common ground and the color will disappear within a few months, the pigeons law have been painted with a supply of water, the same that is used to mark the migration of birds, a hundred colored pigeons in Piazza San Marco in Venice and artists islanders do not exist, the variations are cobalt blue, emerald green and red tiziano.
MAN OF ORISTANO
Oristano was born in parallel another Man, wanted very strongly by two local artists Solarussa Michael Meredith and Clare Schirru (Directors), a MAN more male than that of Nuoro which in fact had begun to contradict the spirit barbaricino, all born with the blessing of the one councilor red south of the capital island, a bizarre and heroic character in the independent and underground areas of the visual arts not only island called Clark Kent Lobina, because in reality what really distinguished the island from all other artistic realities of the Western system was the fact that they were serious about indy indy, it was setting complete with a certificate of political representation a scenario where one side there was a contemporary art Sardinian island and not isolated that did not seek assistance and other artists plastic case for Sardinians who as the only common cause to sell out to private with public funds, in short, were charged to a taxpayer who could hardly buy the works.
INAUGURATION OF THE Man of Oristano 09/13/2012
Directors of the Man of Oristano: Uby Atza, Michael Meredith and Clare Schirru.
Throw money quote: Ivo Serafino Fenu.
First independent visual artists signed the call for the creation of the Man of Oristano:
Augusto Murgia - Valentina Siddi - Stay on Mud - Francis Cogoni - Andrea Basciu - Stefano Melis - Michele Melis - Matthew Campulla - Movement obscurantist - Matthew Tauriello - Tavor Mobil Art - Barbara Ardau - Domenico "Mimmo" Di Caterino.
Meeting at 14 to Solarussa
Man will attend the operation of Oristano, the only councilor red Cagliari Clark Kent Henry Lobina at 16.
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