Collecting painting: an introduction
13 May 2013
Still on the subject of information, I withdraw from the Blog "Collection at Tiffany's" not only for the friendship toward Nicola Maggi but for the fact that copes with extreme competence arguments, even prickly, that dot the Italian art system, informing carefully and dismantling many urban myths or misinformation that confuse the artist himself.
"(...) The great diversity of types of painting, whether it is a medium that can" accept ", pass me the term, the tastes of all there has to be misleading and lead us to think that collecting painting is more simple and easy that collect other types of works. Again, as we have repeatedly stated, it is necessary to make our choice with awareness and preparedness: wisely, just to be brief. a criterion that, first, must be of good quality and not confondiamola, please, the term "quotation". a high market value is not always synonymous with good art but may be the result of a mix of factors that sometimes have little to do with art. Here, then, some elements (even practical) assessment that will hopefully guide you in the purchase of the painting that best suits your taste for collectors:
Quality, quality, quality (and authenticity) - We can not stress this enough but the first rule that should guide the management of a work is that of quality. Remember that the popularity and commercial success are not valid criteria to determine whether a work is good or not. What really matters are the cultural ambitions of the artist, it is rooted in the history of art, the combination of skill, commitment and ability to give life to an authentic style and subjective. (...) "Follows
http://www.collezionedatiffany.com/collezionare-pittura-unintroduzione/

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