BLADE
Digital Photography, Abstract geometrical, 150x100cm
According to some theories of perception, our eyes break down what they see, transforming reality into simple, broken, curved or slanted lines.
From this train of thought comes the series “Lines”.
For example, according to the Gestalt theory, the whole logic of perception expresses itself through the simplicity and the "Good Form": the data perceived by the eye are organized in the simplest and most consistent shape possible, compared to past experiences.
There is a tendency to group together the shapes we have in front of our eyes using different trends. Eyes and mind tend to break down forms into simpler ones, in terms of distances, and to reunite similar elements into one coherent and continuous set.
These pictures show elements that nourish our everyday life, where human presence is almost absent, so they become an untouchable place that, due to its geometric figures, rather than being a collection of natural forms produces abstract representations.
The structure of the place, its imaginary essence is emptied of craftsmanship and its user, free from its anthropological contextualization.
As a result, this space without any philological possibility is forced to live by itself, to render its own essence.
From this train of thought comes the series “Lines”.
For example, according to the Gestalt theory, the whole logic of perception expresses itself through the simplicity and the "Good Form": the data perceived by the eye are organized in the simplest and most consistent shape possible, compared to past experiences.
There is a tendency to group together the shapes we have in front of our eyes using different trends. Eyes and mind tend to break down forms into simpler ones, in terms of distances, and to reunite similar elements into one coherent and continuous set.
These pictures show elements that nourish our everyday life, where human presence is almost absent, so they become an untouchable place that, due to its geometric figures, rather than being a collection of natural forms produces abstract representations.
The structure of the place, its imaginary essence is emptied of craftsmanship and its user, free from its anthropological contextualization.
As a result, this space without any philological possibility is forced to live by itself, to render its own essence.
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