PENE D'ARTISTA
ARTIST’S PAINS ARE ARTIST’S PENIS
By: Sergio Laterza
Year: 2010
Composition:
Metal, wood, plasticine, dried human foreskin.
Today, looking at the future of art in terms of the alleged historicist capacity of the creation, Sergio Laterza do not see dick.
And, as «art, in its essence is a source» the artist proposes this view of cock like a macabre and exciting tableau mourant.
Where the emasculated bait acts as «image simultaneous to its consumption».
Image performative but also perforative. That tells the end of art and other possible early.
Outside and inside a cage.
Because what happened is no longer relevant if we consider what must happen. Amen.
By: Sergio Laterza
Year: 2010
Composition:
Metal, wood, plasticine, dried human foreskin.
Today, looking at the future of art in terms of the alleged historicist capacity of the creation, Sergio Laterza do not see dick.
And, as «art, in its essence is a source» the artist proposes this view of cock like a macabre and exciting tableau mourant.
Where the emasculated bait acts as «image simultaneous to its consumption».
Image performative but also perforative. That tells the end of art and other possible early.
Outside and inside a cage.
Because what happened is no longer relevant if we consider what must happen. Amen.
Comments 4
Davvero forte e secondo il mio vissuto, davvero belle!
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