popularity breeds contempt
Painting, Fantasy / Visionary, Mixed technique, 140x210x2cm
Despite a profound need to rationalize my art, I have a thing against providing one given work with an individual definition.
To rationalize is to question oneself and find the original drive, often obscured by an otherwise distracting behaviour.
My panels often present such “labyrinths” that confer outlooks and intents to an apparently rational drive, diverse from the real one that thus remains hidden. The continuous, almost obsessive iconic overlapping becoming part of the background, free of subjective references assumes itself an objective nature, leaving each viewer free to discover his view of mine.
Above all, I believe in art as an “historical presence”.
My commitment as an artist is to be the chronicler of my era and it’s events, sketched notes on collective society, customs and traditions.
Every work of mine says: “I was here”.
To rationalize is to question oneself and find the original drive, often obscured by an otherwise distracting behaviour.
My panels often present such “labyrinths” that confer outlooks and intents to an apparently rational drive, diverse from the real one that thus remains hidden. The continuous, almost obsessive iconic overlapping becoming part of the background, free of subjective references assumes itself an objective nature, leaving each viewer free to discover his view of mine.
Above all, I believe in art as an “historical presence”.
My commitment as an artist is to be the chronicler of my era and it’s events, sketched notes on collective society, customs and traditions.
Every work of mine says: “I was here”.
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